Dear Readers:
I’m thrilled to et everyone here. Today marks the release day of this book.
As you all know, the author is actually a veteran who has been writing for seven or eight years—calling myself a newbie would be quite shaless, with a cumulative word count probably reaching seven or eight million by now.
However, this is indeed my first attempt here.
As you can see, this book has a fairly niche the that might not be easily accepted by many, but I still plan to give it a try here.
Though it might be hard to believe, the reason for this attempt is simply that there might be more readers here—I write because I love it and want more readers to see my work. I wonder if this reason is convincing enough for you all.
Back to this book.
As everyone can see, it features dual protagonists.
Demon King Mohe, Hero Doro.
You’re probably already aware of the general storyline: it’s about the Hero’s "descent into evil" and the Demon King’s "ascent to good"—the mont when their paths intersect is the mont of harmonious resonance.
In fact, although the the might appear a bit strange, this book undoubtedly leans towards serious drama and won’t have too many abstract developnts. Of course, I’ve written many abstract books in the past—but there are quite a few serious ones as well, so I hope everyone won’t have too many prejudices.
Regarding the mbers of the Hero’s team, I’ve seen so concerns from readers in the comnt section. What I can say here is—traitors deserve punishnt.
Of course, depending on different perspectives, so readers might think "This character didn’t really do anything wrong," or "Is the author promoting misguided values" and such... there’s no helping it.
But when it cos to the the of transformation, many readers just starting out might not understand why it’s written this way—simply speaking, because the transford heroine is cute.
Um, it’s like the recently popular Tomboy thing online. A woman with a female body, yet without all the ’womanly’ fuss (no offense), completely aligning with your thoughts.
This is probably the charm of the transford heroine.
In recent years, the proliferation of s like "Bro, you sll good" might also involve the in that; the charm of the transford heroine lies in her special understanding of what n think, and she tends to be quite casual. She doesn’t get too entangled in love and hate, and this carefree nature, in the author’s personal view, is quite appealing.
So for those who don’t like to relate to the heroine, you can actually relate to the hero.
The portrayal of the two is essentially balanced.
Of course, the heroine might get slightly more focus.
If everyone can understand this charm, the author would be very happy. However, if you can’t, please be lenient.
I rambled on about things that might seem useless...
In short, thank you to all the readers who have been with until now!
I hope we can continue this journey together in the future!
Thank you all!
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