When Hannah entered, they were busily filming the scene between the lead male and the second male lead.
Hayes Edwards, who played the lead male, was a spirited yet sowhat self-centered rich young master with poor academic performance and a mischievous nature, who spent his days thinking about how to skip class and go racing and partying.
As a child, he had been neighbors with the female lead. At that ti, his living conditions weren’t good, and coupled with his biological father’s violent tendencies, he always bore injuries on his body.
In a class where everyone else shunned him, only the female lead was willing to be his friend, and he had kept that in his heart ever since.
It was just that later on, the male lead’s mother, unable to endure her husband’s violence any longer, chose to divorce and leave that alleyway, and two years later, she remarried a wealthy businessman, taking the male lead with her.
Years later, when they t again, the male lead recognized the female lead, but sadly, she had lost her childhood mories due to an accident and had a new protector, the second male lead, by her side.
It just so happened that this second male lead was the biological son of his stepfather, who had been frail since childhood and raised abroad.
The two were mutually disdainful of each other, but since the second male lead was most skilled at disguising himself with a facade of frailty, the straightforward male lead suffered quite a few losses at his hands.
It must be said that the character settings for the two fit the actors themselves perfectly, not to ntion Hannah’s role as the female lead, which was both pure and enchanting.
This scene was exactly where the male lead saw through the second male lead’s disguise and was confronting him in the hospital ward.
Louis Snyder was still dressed in the hospital patient’s attire, his face pale, with downcast eyes, exuding indeed a weak aura.
In contrast, Hayes Edwards, standing to the side, looked like his anger had not subsided, wearing slightly frivolous golden short hair impressively, and even a flamboyant red coat on him only added to an astonishingly stunning allure.
He looked more like a character straight out of a comic than a real person.
The two in the scene created an extrely incompatible atmosphere, yet it was exactly this clash of contradictions that sketched out an exceptionally perfect picture.
Even Jack Stewart, sitting behind the monitors, couldn’t help showing a satisfied expression.
He had been worried that Hayes Edwards taking on the role of the male lead might not be suitable, after all, his awkward acting was well-known.
But unexpectedly, this ti he managed it quite well.
Lost in thought, Jack Stewart didn’t even notice when Hannah sat down beside him.
"How about it, not bad judgnt on my part, huh?" Hannah suddenly leaned in close and whispered in Jack Stewart’s ear.
The set was very quiet, so as not to affect the actors’ performances.
Jack Stewart jumped in surprise, patting his chest, "Why didn’t you say anything when you ca back?"
"I didn’t want to interrupt your big director’s work," Hannah glanced at the monitor and then changed the subject, "You haven’t said whether my judgnt was good or not."
After all, it was she who had decided to keep Hayes Edwards on.
Jack Stewart looked at Hayes Edwards in the scene with clenched fists, indeed easily portraying the character from the script, full of rage yet forcefully restraining himself.
For other actors, this may not be much, but for Hayes Edwards, this was practically a leap in progress.
Jack Stewart nodded, "Indeed, it’s not bad."
"Of course," Hannah said with a smile, showing a bit of pride.
But so things still had to be said honestly.
The truth is Hayes Edwards’s acting really wasn’t good, in fact, one could even say nonexistent.
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