Nowadays, even the discerning can see the developnt trend of electronic gas.
Today, apart from the internet, electronic gas are the industry with the greatest developnt potential.
Didn't you see that the Japanese governnt has specifically formulated a series of exclusive developnt strategies for electronic gas?
Now in Japan, as long as you're in the gaming industry, you can get a lot of tax exemptions, helping them to grow rapidly.
Probably only conservative people would look down on electronic gas.
These few writers who look down on electronic gas treat them as children's electronic toys, which is very naive.
Because of this statent, it attracted many players to argue with reason.
Perhaps there are indeed so childish gas, but there are also many gas with profound anings.
For example, the recently popular World War II shooting gas vividly depict the cruelty of the battlefield, allowing people to experience the horror of war firsthand.
This kind of experience is sothing that movies cannot bring.
And there's Final Fantasy, which talks about love and destruction, and many social issues that can ignite heated discussions among everyone.
Such as whether excessive exploitation of energy resources is really correct, and facing death squarely, allowing a child to truly experience the sadness and pain brought by death, allowing children to mature faster.
Open your outdated eyes and see, electronic gas are truly interesting things, they are causing a new social phenonon, involving people of all ages and genders.
Just based on the scriptwriting of Final Fantasy VII, players believe that they are absolutely not inferior to those top writers and directors; this is a truly excellent story.
The producer at NHK is really feeling a bit uneasy.
Why does it suddenly feel like becoming a target?
Since when did electronic gas have such great influence?
Of course, the influence seems to be great only because the young people who control the discourse on the internet are naturally willing to support electronic gas, and electronic gas just happen to be the main battlefield for young people.
Imagine coming ho tired from work every day, searching for the increasingly boring TV dramas for a while, and finally having to pick up your beloved electronic ga to play.
Electronic gas are sothing that can be picked up and put down at any ti, without any psychological burden, and there's no need to worry about missing anything because of it. It's really sothing that makes people feel relaxed.
Even the extrely heartbreaking Final Fantasy VII will make people sob once after playing it, then they'll rearrange their emotions and face a new day of work with a full spirit.
Electronic gas are like a spiritual harbor, carrying many things for young people.
The producer wants to soften up a bit, but those few veteran writers seem to have been provoked to fight back.
Being ridiculed that even soone who just makes gas is not as good at plot writing, this hurts their self-esteem.
"Do you want to make a bet? While that guy called whatever-star makes the next ga, we will collectively create the most top-notch TV drama. Let you guys who have no eyesight see our writing skills. Do you really think we have no ability? We just haven't shown it yet."
This bet was published in the newspaper.
On the day of publication, this news beca a hot topic of discussion in Japan.
Now even housewives know about the dispute between electronic gas and a few writers.
"Whatever-star, do you dare to accept our bet? If you lose, kneel down and apologize to us! And swear never to consider adapting gas again, just obediently do your own gas and stop tarnishing our works."
This statent is quite provocative, and it was published in the newspaper, which ans it's a provocation with no way to retreat.
"Takayuki, do you want to respond?"
At this mont, Ayano Tsukino, holding the latest issue of the newspaper, having just finished reading the article, felt speechless.
These old fogeys are really a bit sick.
Perhaps it's nopause, that little bit of self-esteem makes them unable to bear this humiliation.
But Ayano Tsukino also wants to see how Takayuki responds.
Takayuki, having just finished reading the newspaper, casually said, "Now my focus is on making gas. I don't really care about what these people say. But we still need to respond; after all, they haven't said what they'll do if they lose."
People always have so competitiveness, especially a few guys who think they've eaten more salt than Takayuki has eaten rice, they want to prove sothing.
Takayuki isn't an easy person to deal with, but usually, his bottom line isn't touched, so he generally doesn't show the side of him that's not easy to deal with.
This ti, however, Takayuki's targeting is quite obvious.
Those few writers naturally wouldn't really beco turtles because of this statent; it's equivalent to provocation.
"Whatever-star, if you lose, just apologize obediently and swear to never touch the gaming industry again. But if we lose, we'll leave the film and television industry forever!"
This new response made Takayuki amused; what does it have to do with him whether they stay in this industry or not?
But these few writers really don't have anything to show for it. Even if they bet with money, they can't beat him; betting with their future, a few half-baked guys like them also have no value at all. So, in summary, betting with them really makes no sense; he'd better focus on doing his own gas.
So, Takayuki simply ignored this matter. Let those few writers indulge in their own fantasies; he doesn't have so much spare ti to deal with this every day.
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