Speaking of which, he is also a guy who once shone brightly but fell like a shooting star.
Now, the official artist for Dragon Quest, Sankai Mitsusuke, has a similar background.
In this respect, the two gas are balanced.
Now that the composer should be settled, what's left is to find a suitable artist.
Takayuki didn't waste any ti on this matter and promptly called her mother again to ask for her opinion.
This ti, his mother didn't disappoint him. He quickly provided Takayuki with an address, apparently belonging to one of her forr students.
In the previous life, the three pillars of Final Fantasy were the artist, the ga producer, and the composer.
This student's art style also t Takayuki's expectations, reaching around an eight out of ten in his eyes, similar to the early Final Fantasy artist Yoshitaka Amano.
Of course, everyone has their own style, so it's impossible for them to be completely similar to Yoshitaka Amano. But they are about seventy to eighty percent similar, which is enough.
At first, the artist didn't seem particularly interested in electronic gas, but because Takayuki was the child of his old teacher, he eventually agreed to help. Anyway, Takayuki would definitely pay him well, as no one would refuse money.
With these two, the trio of Final Fantasy's pillars was settled, with the composer being slightly more important. Because Yoshitaka Amano only helped draw for the first six Final Fantasy gas, and after the seventh installnt, the series took a new direction. But composer Nobuo Uematsu remained the official composer, his position unshakable.
Besides these two, the last pillar of Final Fantasy would naturally be taken up by Takayuki himself.
He would set the main tone of Final Fantasy, ensuring that they could make the ga according to his requirents.
With this, the developnt work of the fifth ga developnt team officially began.
The composer, Sakai, was personally inspected by Takayuki to confirm that he indeed t his standards. Then he was arranged into the ga developnt studio.
Perhaps living an ordinary life for over a decade had smoothed his rough edges, and he no longer dwelled on the bottlenecks of his youth. He turned out to be surprisingly obedient, doing whatever Takayuki asked of him. If he asked him to compose a certain style of music, he would do it without hesitation. He was indeed a very high-quality composer.
Such obedient composers were not common. Just based on this, Takayuki had already decided to make him the official composer for future Final Fantasy gas.
As for Sakai, he also cherished this job opportunity. After all, he was on the verge of being unable to support his family. The mundane life of everyday chores made him realize the importance of life, and money beca even more important.
The artist recomnded by Takayuki's mother was not very common. He simply followed Takayuki's instructions step by step to help draw various original concept drafts. Apparently, this artist still looked down upon the erging electronic ga industry and couldn't truly integrate into it yet.
But that wasn't a big problem. Final Fantasy's binding to artists was not as strong as Dragon Quest's, and the composer was more important.
Accepting this artist as a temporary worker was acceptable.
As ti passed, more and more people joined Japan's electronic ga industry.
Among them, Gastar Electronic Entertainnt took the lead. Now, there were more than thirty independent ga studios developing gas on the Famicom, and more than twenty companies with so reputation expanded their business, also making electronic gas on the Famicom.
This included Golden Flat Entertainnt, which previously cleared out its inventory by selling refurbished ga consoles.
They had a considerable number of IPs in ani, movies, and novels, and simply making gas with the sa nas as these popular IPs would be well received.
A six-point ga, combined with a well-known IP, could achieve very good sales.
However, they chose to log in to their own gas on multiple platforms, taking 30% of the share on the Famicom, which was 10% less than the exclusive share taken by other companies, resulting in much less profit.
But they still insisted on logging in to multiple platforms.
Their first official ga was a ga based on a sowhat famous adventure novel called "Edward's Adventure Legend." The ga type was the most profitable role-playing ga with turn-based combat, with so slight innovations in gaplay, which attracted so players.
On the most authoritative ga review website in Japan, Ichigo Ga Net, forrly a forum established by Ichigo Murakami's child, the ga was given a three-star rating, making it the second three-star ga logged in on a platform other than the Famicom.
Of course, according to Ichigo Murakami's evaluation, half a star should be added to the fa of the IP itself. In terms of playability, it was actually only two and a half stars, not as good as Sorai Electronics' Sun Knight.
While these people were bustling into the hot market of electronic gas, Gastar Electronic Entertainnt suddenly released a brand new product without any warning.
This thing could also be called a ga console, but its functionality was limited, and the performance of the ga console itself was quite low.
But it had a very unique appearance, resembling a cartoon character, looking like a decoration more than anything else. More importantly, it could be played with in hand.
At the sa ti, related advertisents were broadcasted on Tokyo TV, and advertisents for this product were also posted on trams and street billboards.
These advertisents all had a significant common point.
That is, there were cute girls with lovely smiles in the advertisents.
They showed the sunniest smiles in the world, holding sothing shaped like an egg in their hands.
In the TV comrcials, a group of girls ran joyfully under the morning sun, each holding colorful egg-shaped objects in their hands.
On the shoulders of these cheerful girls, cute little animals also showed happy expressions, dancing along with the advertising music.
The appearances of these little animals were quite special. There was one that was yellow, with rabbit ears but a tail like lightning; one looked like a nine-tailed fox; and one was simply a little creature with the appearance of a sli, the signature monster of Dragon Quest.
These little animals bounced on the girls' shoulders, and finally, they all jumped into the colorful eggs held by the girls. Then, the front photos of those egg-shaped items were shown.
There was a black-and-white pixel screen in the middle.
On this screen, which was about the size of two or three thumbs, the rough appearance of the little animals was outlined with very simple pixel graphics.
They sotis looked happy, sotis sad, and sotis even angry, but they all appeared very lifelike.
"Tamagotchi."
"Grow, nurture, educate, until old age, experience the feeling of raising little pets."
"With over fifty different kinds of little animals, each with different personalities, every nurturing experience will be different!"
"Tamagotchi is now officially on sale. For more details, please contact the following phone number or visit authorized stores of Gastar Electronic Entertainnt to purchase! For only 2000 yen, you can bring ho over fifty little animals! You can take them out to nurture anyti, anywhere! Take care of your babies at all tis."
"Tamagotchi, we all love it!"
In the advertisents, the girls held the little eggs in their hands, stretched out their hands towards the cara, and showed broad smiles.
Then, the advertisent ended, and imdiately, the contact phone number left on various advertisents was bombarded with calls.
Reviews
All reviews (0)