Tony’s frustration was visible over the next two days. He’s used to enemies he can fight and physically confront. This was different.
I find him at 2 AM in the estate’s gym, punching a heavy bag. His knuckles are bloody, and they look like he’s been at this for hours.
"This isn’t working," he says without stopping.
"What isn’t?"
"Hunting soone who’s invisible." Punch. "I need a target." Punch. "Soone to fight." Punch.
I catch the bag to stop its swing. "Then we make them visible. We force them out."
"How?" His voice is raw. "How do you force out people who’ve stayed hidden for thirty years?"
"Sa way we forced Morrison. We threaten what they value."
"Which is?"
"Their empire, their legitimate businesses, their reputations." I take his bloodied hands. "Co here."
I led him to a bench, pulled out first aid supplies from the gym’s kit, and started cleaning his knuckles.
"You’re going to break your hands if you keep this up."
"Better than breaking from not being able to do anything."
I bandage him carefully. "We are doing sothing, we’re building a case, finding evidence. Planning."
"While they’re out there planning to kill Elliot, to kill you, and to kill everyone I care about."
"Hey." I frad his face with my hands. "Look at ."
He does. His green eyes were full of fear, rage, and helplessness.
"We’re going to survive this," I tell him. "Because we’re together and because we’re not alone anymore. We have Timothy, Lisa, David, Sarah, Jas, Susan, and Elliot. An entire team."
"What if it’s not enough?"
"Then we make it enough."
I kiss him. Gentle at first, then deeper, needing the connection and needing to remind him - to remind both of us that we’re alive. Together, still fighting.
Tony responds desperately with his hands sliding under my pants, dragging it down, touching skin, grounding himself in physical sensation.
"Katherine-" His voice breaks.
"I know." I pull him down onto the gym mats. "I need this too."
We make love right there on the floor. Slow and intense. His hands worshiping my body like he’s morizing every curve, every inch of skin.
"You’re everything," he whispers against my neck. "Everything I have and everything I need."
"Then trust ." I arch into his touch. "Trust us that we’d find a way."
Afterward, we lie tangled together on the mats, both breathing hard.
"We’re going to survive this," I repeat.
"I know." He pulls closer. "Because we’re together."
Morning brings Elliot’s breakthrough.
He’s buzzing with excitent, which is rare for him when he calls everyone to the library.
"I found the pattern," he announced. "Look."
The screen shows data visualization. Commission ssages cross-referenced with corporate decisions.
"Every major move by these five companies correlates with Commission activity. Not just timing; causation."
Lisa adds, "The Architect isn’t just using these companies as fronts. They’re using cri to enable business and business to enable cri, a perfect symbiosis."
"Can we trace specific board mbers?" Timothy asks.
"Working on it." Lisa’s typing. "But I found sothing else. Susan, your family’s done business with ridian?"
"For decades," Susan confirms. "Why?"
"Because I can see the partnership agreents. Jenkins family has board eting access - Investor privileges."
Susan’s face shows understanding. "You want to infiltrate."
"It’s too dangerous," Tony says imdiately.
"I’m already at risk." Susan’s voice is calm. "Five million dollar bounty, rember? Might as well be useful while being hunted."
"Susan-" I start.
"Katherine, I can get inside. Access board etings, financial records, and get actual evidence of the connection between ridian and the Commission. It’s the only way."
Tony and Timothy exchange looks - strategic minds recognizing an opportunity.
"We wire you," Timothy says. "With full audio and video and a security team outside. If we hear or see any sign of trouble, we extract you."
"Who do you et with?" I ask.
"Jas Preston, ridian’s CEO. He’s an old family friend and has known since I was a kid." Susan looks confident. "If anyone will give access without suspicion, it’s him."
The plan was set. Susan schedules a eting for the next day. "Catching up and discussing potential investnts." Just like a normal wealthy-people business.
She’ll wear a wire. David’s team will provide security outside ridian Tower, and Timothy coordinates extraction protocols.
"Anything goes wrong, you get out," Tony tells Susan firmly. "Don’t be a hero."
"Being a hero is your job." Susan smiles. "I’m just the rich girl asking boring questions about portfolios."
The day of the eting arrives.
Susan leaves at 10 AM in her personal car - a BMW, expensive but not flashy, with a three-person security detail in a follow vehicle.
"eting’s at 11," she says. "I’ll be back by 2 at the latest."
I hug her. "Be careful."
"I will." She winks. "Besides, I’m just having lunch with my dad’s old friend. What could go wrong?"
Hmmm... famous last words.
By 2 PM, Susan hasn’t returned, and no communication from her.
By 3 PM, we’re actively worried.
At 4 PM, her security detail returned without Susan.
Their faces tell the story before they speak.
"Ambush," the team leader says. "Three blocks from ridian Tower. It was a professional hit team with Military hardware, RPGs. We fought but-"
"Where is she?" I’m already grabbing weapons.
"They took her alive and left this."
He played a recording.
Susan’s voice, scared but controlled:
"Katherine, I’m sorry. They knew I was coming; they knew everything. The Architect says you have 24 hours to turn over Elliot and all evidence, or they start sending back in pieces. Don’t co for . It’s a trap. Tell my family I-"
The recording cuts off.
My world shatters.
"They took Susan because of ... because I brought her into this."
"Katherine-" Tony’s hands on my shoulders.
"She’s there because of !" I’m screaming now. "She was safe! She had everything! And I dragged her into this nightmare, and now she’s-"
"We’d get her back." Tony’s voice is steel. "We will get her back."
"How? We don’t even know where-"
Timothy’s phone buzzes, he looks at it, and goes pale.
"What?" Tony demands.
Timothy shows us.
Attached was a photo of Susan tied to a chair, bruised but alive, and behind her, floor-to-ceiling windows showing the Manhattan skyline.
And the text ssage read:
ridian Tower. - Top floor. Co alone - just Tony and Katherine. Bring Elliot and all the evidence.
You have 24 hours, and after that, your friend suffers. And I promise, I know how to make suffering last.
-The Architect
I stared at Susan’s face in the photo; she looks terrified but defiant. My best friend, my sister in everything but blood.
Taken because she tried to help .
"I’m going," I say.
"Katherine, it’s obviously a trap-" Timothy starts.
"I don’t care." My voice is cold and final. "She’s there because of . I’m getting her back."
"We’re getting her back," Tony corrects. "Together but not by walking into their trap."
"What choice do we have?"
"We make a better plan." Tony’s already in tactical mode. "We have 24 hours. We use them."
But I’m looking at Susan’s face, counting the bruises and seeing the fear she’s trying to hide.
Twenty-four hours.
One day before The Architect starts hurting her.
One day to save my best friend.
Or lose her forever.
And it’s all my fault.
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