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"Marie gave forty-eight hours," I continued to make her see reason

"And you were seriously considering it!" She jerks away, anger replacing tears. "Without even discussing it with !"

"What’s to discuss?" I stand, matching her anger. "If I can save you-"

"BY DYING?" She’s yelling now, and Elliot looked up in alarm. "You think that saves ? You think I survive losing you?"

"You’d be alive-"

"I’d be destroyed!" She shoves , her hands flat against my chest. "You don’t get to make that choice! You don’t get to decide what I can survive!"

I catch her wrists and hold them. "It’s my life!"

"IT’S OUR LIFE!" She’s crying again, fighting my grip. "When did that stop mattering to you? When did we beco just you making decisions for both of us?"

"Since the mont I realized loving you makes you a target!" The words explode out of , raw and honest. "Since I understood that every person who wants to hurt will go through you to do it! Vincent, Marie, whoever cos next - they all know the fastest way to destroy is killing you!"

"So your solution is dying first?" She stops fighting, just stares at . "Leaving alone to face all of them without you?"

"My solution is making sure you survive." But even as I say it, I hear how hollow it sounds.

"At what cost?" Her voice drops to a whisper. "Tony, I didn’t survive everything we’ve been through to lose you like this. To so martyr complex disguised as love."

"And I didn’t survive to watch Vincent put a bullet in your head." My grip on her wrists loosens, becos gentle. "Katherine, I can’t. I can’t watch you die. I’d rather-"

"Rather die yourself, I know." She’s not pulling away anymore. "But you’re not thinking about what that does to , how I’d feel, how I’d survive. You’re just... deciding what’s best and expecting to accept it."

We’re standing close now, both breathing hard, both hurting. I moved to touch her, "Katherine-"

"Don’t." She pulls back. "We can’t keep doing this. Fighting then f**king then fighting again."

"Then what do you want because I’m terrified of losing you," I admit. "Every second of every day, I’m calculating threats, planning defenses, trying to stay ahead of whoever wants you dead, and it’s driving insane."

"I’m terrified, too." She reaches up and cups my face with trembling hands. "But Tony, I’m more terrified of losing you to this fear. Of watching you beco soone I don’t recognize because you’re so focused on protecting that you forget actually to be with ."

"So what do we do?" I lean into her touch, desperate for the connection. "Because I don’t know how to stop being afraid for you."

"We trust each other," she says. "Really trust, not just with our bodies but with decisions. With our lives. We fight together, or we don’t fight at all."

"Together." I test the word. "Even when it terrifies ."

"Even then." She pulls my face down to hers and kisses softly. "We’re partners, Tony. Equal partners. That ans sharing everything, even the scary parts."

I kiss her back, tasting salt from her tears, pouring everything I can’t say into the contact. When we break apart, we’re both shaking.

"No more martyr plans," she says firmly.

"No more unnecessary risks," I counter.

"Deal." She leans her forehead against mine. "We face Marie and Vincent together. As equals."

"As equals," I agree.

Elliot clears his throat loudly. "Are you two done? Because I found sothing important."

We separate reluctantly. Katherine wipes her eyes, and I straighten my shirt.

"What is it?" I ask.

"Marie’s money trail. Katherine was right, she’s using the charitable foundation." Elliot displays complex financial networks. "But there’s a pattern. Weekly transfers to a specific account, always the sa amount. Two hundred fifty thousand dollars."

"That’s Vincent’s operational budget," Katherine says imdiately, her banking mind engaged. "Enough for safe houses, weapons, personnel, but not so large that it triggers automatic reporting."

"Can we freeze it?" I ask.

"Not without tipping them off," Elliot says. The accounts are in the Cayman Islands. By the ti we get cooperation from authorities, the money will be gone."

"But we can track it," Katherine says. "See where it goes. Who’s paying and build a map of his network."

"Already on it." Elliot’s fingers fly. "Give an hour."

My phone buzzes, and it’s Morrison: Marie sent another video ssage, you need to see this.

The file arrives, and I open it on the large screen.

Marie Sterling, in that sa European estate, but this ti she’s not alone. Vincent stands behind her, looking professional and dangerous.

"Anthony Marvin," Marie’s cultured voice fills the room. "By now, you know who I am. So let be perfectly clear on what I want."

She stands and walks toward the cara.

"You killed my daughter, my only child, who was the light of my life. Victoria was twenty-seven years old. She had her whole future ahead of her, and you took that from ."

Her composure cracks slightly, with real grief showing.

"Vincent tells you’ve found love. How... poetic. Now you’ll understand my loss - the emptiness, the rage, and the need for revenge that consus everything else."

She’s close to the cara now, her eyes boring into the lens.

"So I’m giving you a choice - Katherine Blaire’s life for yours. Turn yourself in to Vincent. Let him kill you quickly, professionally, and in exchange, Katherine and your family live. I’ll call off the bounty, end the hunt, and they’ll be safe."

She pauses to let that sink in.

"Refuse, and I systematically eliminate everyone you love. Starting with her, her brother Elliot, Thomas, Luca, and everyone who helped you kill my daughter. And I’ll make sure Katherine watches each one die before her turn cos."

Vincent steps forward, adds in his calm voice: "You have forty-eight hours to decide, boss. Contact details in the ssage tadata. Choose wisely."

The video ends.

Katherine’s face is white. "She’s serious."

"Of course she’s serious." Thomas’s voice ca from the doorway; he heard everything. "She’s a mother who lost her child. There’s nothing more dangerous."

"You can’t seriously be considering this," Katherine says, looking at .

But I am. God help , I’m calculating whether one life - mine - is worth saving five lives: Hers, Elliot’s, Thomas’s, Luca’s, Morrison’s.

"Tony." Katherine’s voice is sharp. "Don’t. Don’t even think it."

"If I can save you-"

"You can’t!" She grabs my face and forces to look at her. "Marie is lying. She won’t stop if you die; she’ll kill anyway. Kill all of us. This isn’t a negotiation, it’s torture. She wants you to suffer before she kills everyone you love."

Thomas nods. "Katherine’s right. This is psychological warfare. Marie wants you desperate, making emotional decisions instead of tactical ones."

"But what if she’s telling the truth?" I can’t help asking. "What if there’s a chance-"

"There isn’t." Luca entered behind Thomas. "I know Marie Sterling’s type. Wealthy, powerful, grieving, but she won’t stop until everyone’s dead. Your sacrifice would be aningless."

I look around at all of them. The people I love. The people who are targets because of .

Then I look at Katherine, her eyes begging not to do sothing stupid.

"Okay," I say finally. "No martyr plays, we fight together."

"Together," Katherine echoes, relief flooding her face.

But even as I say it, I’m thinking - if it cos down to it, if there’s no other way, I’d still trade my life for hers without hesitation.

And from the look in her eyes, she knows I’m thinking it.

We’re interrupted by alarms - building security, blaring through the penthouse.

Luca’s phone erupts with calls. He answers, face going grim. "Periter breach. Multiple hostilities. Ground floor."

"How many?" I’m already moving, grabbing weapons.

"At least eight. Professional team. They’re fighting through floors one through five. Heading up."

The lights go out, plunging into complete darkness for three seconds before ergency lighting kicks in, casting everything in red.

Then Vincent’s voice cos through the building’s intercom system. Calm, professional, and almost friendly.

"Hello, lovers. Hope I’m not interrupting. Oh wait-" The sound of gunfire below. "I am. My n are on floors one through five, and they are climbing. You’re on twelve, that gives you maybe ten minutes."

More gunfire and screams.

"Run or fight," Vincent continues. "Either way, tonight ends with Katherine’s blood on Tony’s hands. Just like Victoria’s."

Katherine’s hand finds mine in the red ergency light.

"Together," she whispers.

"Together," I agree.

And then all hell breaks loose.

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