Hello everyone, I am Yiweixie.
Up to this point, the story of the fourth volu of the "Demi-Human Girls Completion Handbook" has co to an end. The upcoming fifth volu, which is also the longest volu of the entire book, is imminent. The foreshadowing and storylines of the entire world setting have mostly been laid out, and the next volu is the ti to gather all the threads.
Following the usual convention, this Postscript is partitioned into two distinct segnts: one explicitly navigating the creative aspects mapping this specific volu, uniquely alongside the subsequent segnt distinctly charting the previews mapping the succeeding volu.
Evaluating precisely spanning my exclusive perspective, the engaging fascination anchoring explicitly onto writing stories exactly simulating "spatiotemporal closed loops" resides entirely mapping the reality identifying precisely that you all universally currently already possess exactly the knowledge anchoring the conclusion characterizing this segnt uniquely mapping exactly the story; yet uniquely, you universally currently remain entirely ignorant exclusively characterizing exactly its origin uniquely identically tracing precisely its explicitly forming explicitly identically exactly mapping explicitly identical processes.
And writing about the past explicitly signifies narrating a story where the riddle's answer is known in advance, yet the story remains filled with unknowns.
Up until now, everyone has already learned the outcos of so current events and how they were ford; perhaps you also know the outcos of so current events but haven't yet discovered how they were ford; or, perhaps you don't know the outcos of so current events but know how they were ford in the past.
Take Helaire, for example. When she first appeared, many readers guessed that she was that bad demon, but didn't know why she appeared in the image of an angel.
Actually, prior to this volu, I had already used Eimhart's tone multiple tis to describe exactly what kind of terrifying existence this demon was. It wasn't until her true debut at the end of the third volu that a few clues were revealed.
In this volu, I tried my best to place her entire image within Fisher's perspective.
Therefore, what is presented to your eyes is a bad woman who likes to tease others but is exceptionally charming.
The only things that seem a bit off are the last few chapters of the volu, where she revealed her identity, killed two Archangels, and deceived Fisher.
Because Helaire is exactly such a very, very special character in Fisher's perspective.
Towards Fisher, she holds a nearly infinite amount of goodwill and patience. She would absolutely never harbor any bad intentions towards him, even willing to help him and act as his escort. To Helaire, Fisher's importance exceeds the entirety of the existing world.
But towards other existences, she will show ruthless and terrifying aspects. I believe you could already perceive a thing or two from previous fragnted words, especially regarding the story about Elizabeth.
In short, the next two volus are closely related to her. Stories will unfold between her, Fisher, and the other ladies, so please look forward to it.
Then there is that cute little guy, Asuka Karasawa...
You all should be able to tell that a large portion of this volu was used to discuss the relationship between "mother and child."
Whether it's "Margaret and Matilda," "Gabriel and Eimhart," or "Asuka Karasawa's mother and her," they all explored this issue, and this is also the the of this volu.
For a Transferred Person like Asuka Karasawa who has a tragic past, although discriminated against by destiny, she still retained her gentlest side. Regardless of who it is, she thirsts for a touch of warmth that she had previously missed out on.
Yes, whether it's Gabriel, Margaret, or Asuka Karasawa, they have all, to so extent, actually "missed out" on a specific missing part of familial affection. That's why that kind of "resignation" was born in their hearts, wanting to claim back a thousand tis, a hundred tis over, the things they lost and missed in the past.
But after all, things that have been missed out on are like a broken mirror. Even if pieced back together, it's impossible for it to be as beautiful as it was then. Only by realizing this can one make progress.
Asuka Karasawa and Gabriel have already realized this, but Margaret did not, which also led to her tragic ending.
But this cannot be entirely blad on Margaret.
Just as everyone said, she is a "lunatic." But she wasn't crazy from the start. Even several years after losing her child and during the beginning of her crossing into this world, she had not gone mad.
It was Chaotic Knowledge that guided her. This is the destiny of every Transferred Person.
And before the end of this volu, Asuka Karasawa seed completely unaffected by Chaotic Knowledge. Whenever Fisher asked, she would shake her head and say she heard nothing.
Did she really hear nothing?
I'm sure everyone already has the corresponding answer in their hearts.
She had already heard that knowledge, but she possessed an ability that others didn't have: the habit of "deceiving herself" that she cultivated since childhood.
That's why she heard the "sound of the wooden fish," and saw herself staying in that four-and-a-half-tatami room "doing howork" and "watching ani." Those were symbols of "concealnt."
But when this deception was exposed by Margaret's betrayal, and she chose to no longer deceive herself and look forward, that concealed Chaotic Knowledge inextricably appeared.
This is the reason why at the end of this volu, she saw and heard "Fisher" wearing a kasaya.
She is still far from throwing off the shackles and tornt of Chaos. Her destiny hasn't ended like this volu; she still has to face a trial lasting ten thousand years.
Margaret, along with many others you all know, have already failed exclusively explicitly yielding consequences; whereas entirely exclusively explicit identifying exactly Asuka Karasawa...
Hmm, similarly, witnessing exactly a "fool," "clown," "pitiful child," uniquely matching additionally explicitly a "cowardly" High School Girl progressively uniquely identifying explicitly mapping tamorphosing, progressively transitioning entirely precisely tracking tracing into exclusively the "Magic Lord" unequivocally characterizing mapping appearances throughout identical prior volus uniquely exactly capturing tracing identifying navigating exactly tracing her growth uniquely exclusively mapping uniquely generates explicit abundant satisfaction anchoring explicitly squarely directly exclusively tracking mapping tracking tracking identifying exactly navigating matching my distinct exact self.
But this is, after all, a matter of the past. Our gaze must ultimately follow Fisher back to the present, to face the reality of the machete (no).
The following part is a preview of the next volu.
What can be predicted is that Fisher's idea that the so-called "World-Ending Prophecy" has already been resolved is ultimately just wishful thinking. As long as Helaire is around, the story of Annihilation will not stop.
And from beginning to end, the main storyline of this book is to resolve this World-Ending Prophecy that lingers over the world.
So the main storyline of the next volu is, naturally, to find and read all the Completion Handbooks.
But at the sa ti, as this main storyline progresses, all sorts of large and small, terrifying Scenes of Fierce Conflict will appear, waiting for Fisher to resolve.
The next volu, of course, won't be entirely Scenes of Fierce Conflict. I will try to properly arrange the pacing to avoid it being too suffocating.
Now, I will give everyone a preventative vaccination in advance.
In fact, in my opinion, the essence of the so-called Scene of Fierce Conflict is a special kind of "contradiction," and contradiction is inevitably accompanied by "conflict." Although not every contradiction in a Scene of Fierce Conflict will result in "rivers of blood" as you jokingly say, the contradictions are inevitably very sharp.
Especially since every lady Fisher encounters is no easy mark. Their shining points only added points in Fisher's perspective.
What I want to say is, they might hurt each other, and they might also hurt Fisher. This tendency already appeared previously during the conflict between Renee and Alagina. And bear in mind, Renee is the gentlest and friendliest among them...
This process is inevitable; it cannot be simply described as "fighting out of jealousy."
What needs to be specially emphasized is [Helaire]. In this volu, her goal has already been exposed. Therefore, she possesses absolute exclusivity.
Fisher encountering the other ladies was not an accident, but to Helaire, it is an accident. And this accident will also exact the corresponding price after Fisher returns to the future.
Therefore, in the next volu, she will incarnate as a nightmare that all the ladies will find difficult to overco. As it should be, she will also beco Fisher's nightmare.
And the process of experiencing the Scenes of Fierce Conflict, in my view, is Fisher threading the needle, step by step resolving these extrely sharp contradictions. If he fails, he will die by the machete.
In addition, the characters who have been away for a long ti will also return to this lengthy stage in the next volu. Naturally, there will also be new characters and stories...
The following arrangents are just as I said before. For the next three days, there will be one extra main text side story each day. They are about Asuka Karasawa, Helaire, and the contributors to the Demi-Human Girls Completion Handbook...
After that, you will follow Fisher back to the modern era, entering the fifth volu of this story,
"Fisher's World-Ending Prophecy"
I recomnd a novel written by a friend, titled "My Wife is the Demon Matriarch's Eldest Princess, I Chant Poetry and Beco the Sword Saint."
It's very interesting, so those interested can go support it.
By the way, begging for votes, tips, and support. This is extrely important to !
Thank you very much for your support!
(End of this chapter)
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