May 1 Siesta
I was aware that I was dreaming.
"Seed, what are you trying to accomplish?"
After all, the one who said that was the past , while the current was gazing at this scene, floating in midair.
A year ago, I'd chased and chased a certain enemy until I'd reached a vast listone cavern. The great evil lurked there, too deep for sunlight to reach. Multiple writhing tentacles sprouted from the white-haired young man's back.
"Sothing humanity could never understand," the enemy of the world said.
He'd already defeated . I was no match for him, in wits or in strength. I might as well have been an infant as far as he was concerned, and I knelt before him, bleeding.
This is a dream, I rembered.
This was the mory of a defeat—of humiliation I'd lived through a year ago. "Soday, I swear I'll defeat you."
At the ti, it was all I could do to make that declaration. For so reason, the enemy hadn't finished off.
"Will you sacrifice your companions again?" Seed asked, even though I'd gone into this battle alone. Sothing similar to disappointnt surfaced in his eyes. He transford, shape-shifting through a series of young boys and girls, but still, he didn't attack.
"...What are you trying to say?"
The last shape Seed assud belonged to a girl with black hair and red eyes. He didn't answer my question. I didn't recognize the girl. After he'd watched my reaction, he faded and vanished, like Chaleon.
"Companions? I don't have..."
I was missing mories of a certain ti period.
If what the enemy was saying was true, had I stood by and watched my companions die, even if I no longer knew it?
At this point, those mories had vanished over the horizon. What had I done in the past? What had I lost?
I... I was—
" !"
The alarm echoed through the room, pulling out of the dream.
Even though it wasn't sumr, my forehead and neck were covered in sweat, and my drenched pajamas clung to my skin. As I took several deep breaths, I sat up and reached for the phone by my pillow.
"...Sobody's calling?"
I'd thought it was my alarm, but the phone had been ringing. The na on the display was—Kimihiko Kimizuka.
Oh, right—we'd arranged to et up this afternoon.
I checked the ti. It was 2 PM. We'd planned to et at one o'clock, but apparently, that had been a bit too early for .
"Sorry to keep you waiting. Have you been here long?"
An hour later, I spotted a familiar silhouette at our designated eting spot in front of the train station and called out to him.
"People who are five minutes late could say that, but you're two hours late.
Who the heck do you think you—"
Grumbling, Boy K.—Kimihiko Kimizuka—turned around. "... "
However, as soon as he saw , he averted his eyes.
"The Fiend with Twenty Faces goes through disguises like nobody's business."
I wasn't the police officer or the antique shop manager today. I wore a new mask and costu.
"Since I'm not on duty, I went with a casual outfit. What do you think?" I lifted my skirt slightly. Granted, his initial reaction had already clued in.
"It's a bit too short. Also, sweaters make, um, certain things...more obvious," the kid mumbled, still focused on so point across the station.
"I thought I'd show you that the Fiend with Twenty Faces can change her face, her voice, and her cup size at will."
"If I ran into you in another disguise on the street, I wouldn't recognize you." "Shall we set up a password, then?"
The boy finally turned to look at .
"If you say, 'You sure are a beauty,' I'll say, 'Of course. I'm Ms. Gekka.'"
"I just realized your na is fake, too. What, you took it from the flower?" Boy K. smiled wryly. He knows a lot; that's good. "And? Do you have any ideas
about those paintings?"
He ant the Danny Bryant pictures he'd brought over the day before. According to the kid, Danny had bought them from a mysterious art dealer, and it was possible that they could help us discover Danny's whereabouts. Today, we were planning to follow that lead to a certain location.
"Yes. Well, to be accurate, I have an idea of soone who may have an idea." "...That's a pretty roundabout way of putting it. I just assud we'd be going
to the places shown in the pictures."
The paintings he'd brought yesterday had shown certain pastoral landscapes. "You think Danny Bryant would be there? That's a little too simplistic." As a
matter of fact, I had an idea of where the landscapes were as well, but there was sothing else I wanted to check. "Let's go see the artist behind those paintings."
That had been our ultimate goal.
"The thing is, we aren't quite ready. Shall we wander around town until then?
I just moved here, you see," I said, beginning to walk away.
"So you want to show you around? Unfortunately, there isn't much to this place. The town's not that interesting." With a small sigh, he ca up beside and began to walk through this working-class neighborhood, a stone's throw away from the big city.
"I recomnd that pain de mie shop. They'll be all sold out by now, though." The boy pointed at a bakery across the street. There was a big, eye-catching sign with the shop na on it: La Rollebarca. ...Instead of "barcarolle"?
"That's a great na, if I do say so myself." "Why are you talking up the na of the bakery?"
I wish he wouldn't just hand out that sort of information so easily.
"A while back, a robber forced his way into that place. Stuff happened, I resolved the incident, and they gave the right to na their bakery," Boy K. explained.
"You said there's nothing to say about this town, and then you have a story like that? That's impressive." Also, I want the details on the stuff that happened.
"Oh, and that penny-candy store over there."
Rudely ignoring my coback, the boy pointed out an old-ti candy store. At the back of the shop, in a small, raised area floored with tatami mats, the elderly lady who ran it was drinking tea.
"That old hag..."
"You're suddenly being awfully rude."
"Even if you get a winning wrapper, she says her vision's all blurry and she can't read it, so she won't let you trade it in for your prize."
"Oh, she is rotten and a hag."
I felt sharp eyes zero in on us from within the shop, and the boy and I set off like a pair of racewalkers. This is a fun town.
"Oh, right. Gekka. Want to talk to your future self?"
"No, no, this is an everyday small talk conversation; don't start introducing a plot hook."
Nah, I wanted him to keep going. This was getting more and more entertaining. The kid's daily routine might have been more adventurous than mine.
"There's this rumor that if you use the phone booth under that pedestrian bridge, you can talk with yourself from five minutes in the future."
"If that's true, then I'd like to ask if that future is still getting along with a boy by the na of Kimihiko Kimizuka."
"I interest you that much?"
"As a subject of observation, yes."
While we were having that delightful conversation...
"Dine and dash! Catch him!" a man roared behind us. We turned around, and
—
"Oww..."
Boy K. groaned. The young man who'd co running up behind us had shoved him out of the way.
"You really do have it rough, don't you?"
Even as I sympathized with the kid on the pavent, I turned my back to him and went after the fleeing diner. A few seconds later, I'd caught him.
"...Great. All according to plan." Still sitting on his butt on the sidewalk, Boy
flashed a thumbs-up.
"You know, we just might make a good team." He'd attract the incidents, and I'd resolve them in the blink of an eye.
If we did that, though, I suspected he'd find twice as much trouble.
After Boy K. and I had strolled around town a little more, I got a text. The sender was one of those people who were vital to my work: a Man in Black. I'd had them investigating all sorts of backroom business deals that had been conducted in this town over the past three years. These were the various incidents Fuubi had told about on the phone earlier: drug deals, political
bribes, reselling goods to evade taxes, etc. Danny Bryant had ntioned buying paintings from a certain female art dealer; he clearly hadn't bought them through regular channels, and I'd focused on that.
I'd asked the n in Black to research underground sales routes for . Although they held one of the twelve Tuner positions, they were also an organization with countless mbers around the world. They acted as our hands and feet, our eyes and ears, and took on missions for which they received no fa or credit.
"This is the place. She's in here."
Boy K. and I were outside the art gallery the Man in Black had just told about. It was close to the penny-candy store we had seen earlier, on the second floor of a building in a web of back alleys. Still, it was the sort of place you wouldn't just stumble onto.
According to Boy K., Danny Bryant had said sothing about buying the paintings from a female art dealer he'd just happened to run into in town, but I'd started to doubt that statent.
"Why here, though?"
Boy K. didn't have a handle on the situation yet, and before we walked into the gallery, he was watching dubiously.
"I'm told the owner of this place is suspected of tax evasion. I thought there were similarities with the art dealer who sold Danny Bryant those paintings illegally." I explained my theory but kept quiet about the n in Black.
Needless to say, Fuubi also had this information. However, as a cop, she couldn't act unless she had clear evidence. I was here to conduct an illegal raid.
"So the Fiend with Twenty Faces can transform into a tax official now? ... Well, it does sound like it's worth checking."
I could if I wanted to. Although I'd asked the n in Black to handle it this ti.
"I'll tell you the details once we're inside."
We exchanged looks, then opened the door to the art gallery.
Bright lights illuminated the room, and the gallery's white walls were covered with frad pictures.
"Oh, welco."
A pale woman stepped out of a room in the back and saw us. She seed to be in her early thirties; her smile was beautiful, but friendly. "I'm afraid I was planning to close in a few minutes," she said. She was the gallery's owner, Krone, and most likely the one who sold those paintings to Danny.
"You were? I'm glad we made it; I wanted to visit this place today, no matter what," I said, playing innocent. I'd assud the conversation would go more smoothly if we visited when no one was there, so I'd killed quite a bit of ti with Boy K. And it seems we'd tid it just right: We were the only ones in the gallery. Once I'd made sure of that, I got down to business. "I wanted to discuss the counterfeits you sell here."
Krone's gentle smile vanished. She walked briskly to the entrance, hung up the CLOSED sign, and ca back.
"If you're going to be that obvious, I won't have any questions left to ask." Of course, I'd already felt certain when I first decided to co here.
"...Who are you? Not the police, surely." Grim-faced, Krone surveyed from the tips of my toes to the top of my head.
Not at the mont, anyway.
"You sold counterfeits to a relative of ours. Your gallery handles these, doesn't it?"
I showed her photos I'd saved on my phone of the oil paintings Danny Bryant had collected.
"...I know nothing about those."
She certainly didn't look like she knew nothing, but we'd ignore that for now. "So Danny really did end up buying fakes?" Boy K. shrugged in apparent
disappointnt. "Well, I doubt he'd regret it anyway." He gave a weak smile. "But how did you know the paintings were counterfeits, Gekka? You're not really..."
It's true that while I was passing myself off as the owner of an antique shop, I couldn't actually tell fake antiques and pieces of fine art from real ones. Even so...
"It's simple. If those paintings were real, no ordinary person would have been able to afford them."
All the pictures Danny Bryant had would have cost upward of fifty million yen each, if they'd been real. I couldn't appraise the paintings themselves, but I knew roughly how much fine art would cost.
"...I see. There's no way he could have just picked these up, then. He's always short on money." Boy K. nodded, smirking. "Are all the paintings here like that?"
He didn't seem to know much about art; he scanned the gallery, maybe wondering whether the paintings on the walls were fake as well.
"No, probably not."
I was hardly an expert myself, so it was hard to say for sure. Still, I had morized information on paintings above a certain price level, in conjunction with their artist profiles, and not one of the paintings here was a match in that database. All of these had to be originals, drawn by artists who weren't widely known yet. There was no point in counterfeiting works of art that weren't famous.
"Still, they're pretty expensive." The boy frowned, reading the price tags below the paintings. I knew how he felt, but the boy could be quite tactless.
"Well, quality is expensive." Krone finally broke her uncomfortable silence.
She could probably tell that we weren't going anywhere until she talked to us. "Of course, that isn't to say they'll sell," she murmured with a self-deprecating
smile. If there was a reason to sell these paintings at high prices when their artists weren't famous, it was...
"You're not doing this for the money, are you?" I asked. Krone flinched, freezing up.
She'd said so herself, just a mont ago: quality is expensive. In other words, what she was after was...
"You're not selling, you're buying. As far as you're concerned, that's your job. Isn't that right?"
There was a brief silence.
"In the end, art is business, you see." Krone sighed; she looked almost resigned. "It has nothing to do with how well the picture was painted. Fine art is a business, and the self-proclaid experts deliberately create new stars on a daily basis. Soone decides that a particular painting will be considered outstanding. There's nothing genuine there."
I see. It sounded similar to how the fashion world worked. It wasn't that what was selling beca popular; it was made popular so that it would sell. Soone decided that a certain thing would be "in" this year, and that was all it took.
Krone was asking the world if it was really okay with that.
"I don't buy artists' nas. I buy their skill. I want to pursue 'the real thing' in art as well."
As she spoke, she gazed at the paintings by unknown artists that hung in the gallery. The experts hadn't discovered these artists yet, so their pictures didn't stand out on the market. Even so, there was solid talent behind them, and Krone purchased them at high prices.
"If that's your ambition, then why did you sell counterfeits?" Boy K. asked, pointing out the apparent contradiction in her behavior.
"That's also an outgrowth of my ideals," Krone told him. "The paintings you showed really were replicas. I've been in this business for more than ten years, but even I couldn't tell at first. I knew, logically, that those paintings shouldn't be in Japan. That was how I managed to identify them as counterfeits; it wasn't the result of a formal appraisal."
She'd identified them the sa way I had. However, unlike , her knowledge of fine art was deep and detailed, and even she hadn't imdiately been able to identify those paintings as fakes. That was how polished the copies were.
"I set a price not on the paintings themselves, but on the skills of the painter who'd made such perfect imitations."
"Wait, did Danny buy them from you for the sa reason?"
"No. As a matter of fact, he asked to do this." At last, Krone gave us the information we wanted. "He said he knew an artist with extraordinary skills. He'd never seen anything like it before. He asked if I could visit them and buy their artwork."
It seems Danny's story about coincidentally running into Krone and buying those pictures really had been a lie. Had the two of them been business acquaintances all along? Then why had he kept quiet about it? He hadn't even told the kid...
"If he wanted the pictures that badly, why not just go get them himself? Why was he so roundabout?" The idea seed to mystify the boy.
"I couldn't say. I only knew him through our business deals, and he never let others know what he was really thinking." Krone gazed at the one blank space on the white wall. "I think he must have had so lofty goal. ...That said—and you may be angry with for saying this—his eyes seed to be focused on sothing in the distance, and it frightened a little."
Danny Bryant had always had several faces.
A forr Federation Governnt spy, and a traitor to the group. A private detective, and an enigmatic wandering handyman.
A surrogate dad for Boy K., whom he'd taken from the children's ho. Which one was real, and what had he been trying to accomplish? If I t him,
would I have figured it out?
"Still, who would have thought he had soone like you?" Krone turned back, gazing at Boy K. Then she gave a sudden smile. "Now, what's next? Have you
finished your business here? It's true that I sold illegal counterfeits, so if you plan to turn in, I'll have no choice but to comply." Jokingly, Krone held out her hands as if she were waiting to be cuffed.
"No, that isn't my job. More importantly, there was one last thing I wanted to know." I asked her my most pressing question. "Where can we find the person who painted those counterfeits?"
After leaving the gallery, Boy K. and I headed straight for the train station.
We were bound for the Hokuriku region. Apparently, that was where the artist lived. Krone had given us their address, and now we were a little closer to our goal.
Why had Danny Bryant cared so much about an artist who copied paintings? Why had he entrusted those pictures to Boy K. and disappeared? In search of the answers to those questions, Boy K. and I boarded the last bullet train of the day and headed for the Hokuriku region.
When we reached our destination, it was near midnight, and we decided to spend the night at a business hotel that was directly connected to the station. Postponing our visit to the artist until the next morning, we checked in right away and took our luggage to our room.
"Mm, a freshly washed pillow and coverlet. Paradise." I flopped face down onto the fluffy mattress. Just getting to sleep on a soft bed was a luxury. Once I begin fighting the world's enemies in earnest, I doubted I'd get to indulge in these luxuries, and so I made up my mind to savor this everyday happiness while I could.
"Co on, you, too. Aren't you going to bounce on the bed?" "What am I, a kid?"
"Yes. You are."
The boy pouted back at . It was pretty cute.
He sat down on the other bed. "I'm used to spending the night away from ho, and it's not the first ti I've been to this area. There's really nothing to be so excited about," he said bluntly.
"Huh. When were you here before? On a school trip? Did you manage to enjoy it, even though you ended up by yourself?"
"I was here a year ago, it wasn't a school trip, and don't make random guesses and start feeling sorry for over them."
"Lucky you. This ti you got to co here with a gorgeous older woman." "Except your personality sucks, so I basically break even."
"Ah, so even with a flawed personality, I'm so beautiful that it balances out." "Quit with the optimism gymnastics. Your face is pretty much special effects
makeup anyway, right?" The boy looked at closely.
What a sha I can't show him my real face. Should I let him see it at one point and call it one of my disguises, and watch how he reacts?
"And hey, how co we're sharing a room?" It seed a bit late to complain about that, but he averted his eyes.
"Because we have to; they only had one vacancy. Oh, is this due to that odd predisposition of yours, too? What if you're actually the one who caused this sleepover?"
"I didn't cause it, I just got dragged into it. By you." This ti, the boy looked in the eye as he spoke.
"Well, should we play cards all night?" "No. I'm going to sleep."
"In mysteries, that ans you're the next to die. It's all right, though: The detective will protect you."
"You're going to act as a detective now? You're one strange 'fiend.'" The boy looked exasperated, but he was definitely smiling.
The first ti I saw him, he'd appeared to have given up on everything. Back then, sohow, his profile had struck as beautiful. When I saw him smile, though, I liked it even more. ...For no particular reason.
"It was cold out there; I'd like to soak in the bath and warm up. Want to co in with ?"
"...No. There's no reason to do that." "What about saving water?"
"We don't need to worry about saving water at a hotel." "When you turned down a second ago, you hesitated a bit."
"If you're gonna pretend to let it go, don't bring it up later!" The boy sighed, shoulders slumping.
But then...
"Can we be serious for a minute?" He lifted his head, gazing at . Apparently, playti was over for the mont. I motioned for him to go on. "Gekka—who are you?" Boy K. was moving toward the truth of the Fiend
with Twenty Faces. "That guy, Danny... He never told anything. Not what he was thinking, or what job he was working on, or who he really was."
"So you're asking instead?"
"I know it's kinda weird," the boy admitted. "But... Sohow, you two seem
sort of similar to ."
I hadn't been expecting that.
I'd never t Danny Bryant. I knew he'd been employed by the Federation Governnt before, that he was a handyman and Boy K.'s father figure, and a treacherous spy—but these titles were all I knew about him. What about Danny had reminded Boy K. of ?
"Then what is it that you want to know about ?"
I couldn't reveal that I was the Ace Detective without violating Federation Governnt rules. Even so, if I didn't tell him anything important, I might lose his trust. That was why I decided to give him a tiny peek behind the curtain.
Boy K. imdiately started asking question after question. "Why are you looking for information on Danny? Is it because you want to, or are you following orders from sobody else?"
I see. So that had been on his mind. Since we'd been after the sa things until now, he hadn't pushed for details about it. If we were going to stay together for a while, though, he'd probably decided we needed to be on the sa page.
"At first, you said Danny was suspected of a theft. That's a fairly petty cri, though; you're going to great lengths just to catch a thief."
The boy's sharp eyes focused on .
I'd known I wouldn't be able to put him off forever. Considering what I'd been doing lately, it was no wonder he'd beco suspicious and doubtful. In a move to regain his trust, I began to tell him about my job, sticking to things that wouldn't get in trouble.
"I have only one answer to both of your questions: I'm investigating Danny Bryant because I was ordered to."
"So you don't have any personal business with him?" I shook my head.
To be honest, I was curious about the whole situation. The fact that Ice Doll seed almost too concerned about Danny was strange, and the way Boy K. was trying to hide sothing about him tugged at as well. However, those concerns were secondary; my orders were to co first.
"Who ordered you?"
"I can't tell you that. Even if I did, I doubt you'd be able to understand right now. It's an adults-only sort of thing," I said, and the boy rolled his eyes. And then...
"In that case, as far as Danny and I are concerned, are they an enemy? Or are they on our side?"
Oh. That, huh? I thought. Boy K. must have wanted to know about this the most.
He must be extra sensitive to crises that threatened Danny Bryant. Either that, or he'd picked up on the presence of an enemy and was trying to figure out who they were. The only thing I could say now, and do for him, was...
"I promise you one thing." The boy turned back to face . "As long as I'm standing between you and them, I won't let them be outright hostile toward you. I'll work to guarantee that both sides benefit as much as possible."
"...So you're a negotiator?"
"My job title doesn't matter." One thing was certain, though. "As long as you assist , I'll reward you. If you ask for help, I'll always respond. And then for the first ti, we'll be equals." I held out my hand. The boy gave it a long, steady look. Then, as if he'd made up his mind, he grasped it and squeezed back.
"I get the feeling there's too much emphasis on protecting , though." "Well, I'm older, so there is a bit of that."
We'd just reached a formal agreent.
"All right, I'm going to go take that bath. What about you, kid?" "Morning's going to co early, so I'm hitting the sack."
Wow, he's not cute at all.
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