The Anomaly's P Chapter 38: Starlight Steps

Chapter 38: Starlight Steps

"I’m going to teach you a technique."

Those words hit

differently than I expected. After everything—the spar with Kael, the conversation about purpose, the hours of corrections on my stance—this was it. The real reason I ca here.

I pushed myself off the wall, ignoring the way my muscles protested and my head gave a little throb of warning. My legs felt shaky, my arms felt heavy, and honestly I wasn’t sure how much more my body could take today. But I wasn’t about to sit this one out. Not when we’d finally gotten to the part I’d been waiting for.

I walked back to the center of the training hall where Theron was waiting. When I stopped in front of him, he just looked at

for a long mont, studying my face like he was seeing sothing I couldn’t see myself.

Then he spoke.

"I watched your spar with Kael. Every single second of it."

I nodded and waited.

"Your instincts were good—raw and ssy, but good. When you stopped panicking and started actually fighting, you moved well. You read him. You found openings."

He paused.

"But your footwork? It was a disaster. You were slow to react because your feet didn’t know where to go. You’d dodge, then stumble. You’d step in to attack, but your balance was already off. Every ti you moved, you had to think about it first—and thinking takes ti. In a real fight, that split second you spend wondering where to put your feet? That’s when you die."

"..."

"I had a technique picked out for you before that spar. A sword art I thought might fit. Decent rank, decent power, sothing to work with."

He shook his head.

"Then I watched you fight Kael, and I changed my mind completely. You don’t need another attack right now. You need foundation. You need to learn how to move before you learn how to hit. So I’m giving you sothing else—a footwork technique. If you master this, everything else becos easier."

I understood. It wasn’t sothing I expected—a footwork art instead of a sword art—but I still nodded.

"Show ," I said.

Theron nodded once. Then he moved.

I don’t know what I was expecting. So basic drills, maybe. A few simple steps to practice.

What I saw was sothing else entirely.

He started slow—just a single step forward. But it wasn’t a normal step. His weight transferred from his back foot to his front in one smooth motion, like water flowing downhill. No wasted movent. No hesitation. Just pure, efficient motion.

Another step ca, then another, each one just as fluid as the last. His body stayed loose, relaxed, like he wasn’t even thinking about what he was doing.

The steps started coming faster—not dramatically, just a little quicker, a little smoother. Forward, sideways, back, all in one continuous flow that looked almost like dancing.

And then he really moved.

The speed jumped. His body beca a blur, shifting directions so fast I couldn’t track him. One second he was in front of , the next he was five feet to the left, then behind where he started, then sowhere else entirely.

But here’s the thing—he wasn’t just moving fast.

He was moving efficiently. Each step was tiny, precise, covering just enough ground to matter. His feet barely seed to touch the floor, sliding instead of stepping, never fully committing his weight to any direction.

It was like watching light bounce off water—unpredictable, untouchable, always exactly where it needed to be.

And then, just as suddenly as it started, he stopped. Right in front of , completely calm, not a single bead of sweat on his face. Like he hadn’t just moved faster than I could track.

I stared at him, opened my mouth to say sothing, then closed it.

"That," he said quietly, "is what proper footwork looks like. The technique is called Starlight Steps. It’s a Grandmaster rank art."

My brain stopped. Grandmaster?

He kept going like he hadn’t just dropped sothing massive. "Designed for speed and precision. The goal isn’t just to move—it’s to be exactly where you need to be, exactly when you need to be there. No wasted motion. No second-guessing. Your feet learn the patterns until they don’t need your brain anymore."

I couldn’t take my eyes off him. Couldn’t stop thinking about what I’d just witnessed.

"That’s... that’s what I’m supposed to learn?"

"Yes. And no. You’re not going to learn it in one day, or one week, or even one year. But you’re going to start. And you’re going to keep going until your feet know these steps better than your heart knows how to beat."

He had

sit down and told

to close my eyes.

"I’m going to transfer the art into your mind now. This is going to hurt."

It did.

The mont he started the transfer, I understood what he ant.

It wasn’t like learning. It was like soone took a knife and carved the information directly into my brain. Patterns of steps burned themselves behind my eyes—thousands of them, millions of them, all at once.

Diagrams of movent, angles of weight transfer, the precise timing of each slide and pivot. It kept coming and coming, too much, too fast, flooding my mind until I couldn’t think, couldn’t breathe, couldn’t do anything except hold on and pray for it to end.

I felt sothing hot drip from my nose.

Blood.

My hands clenched into fists so hard my nails bit into my palms. My jaw locked. My whole body went rigid. Every nerve was screaming, every muscle was tensed, and still the information kept pouring in.

There was only the pain and the information and the desperate, primal need for it to stop.

Then, finally, it did.

I opened my eyes and imdiately doubled over, gasping, my whole body shaking. Blood dripped from my nose onto the floor. My head throbbed so hard I thought it might split open. I couldn’t see straight, couldn’t think straight, couldn’t do anything except breathe and try not to throw up.

Huff... huff... huff...

Theron stood over , watching. Waiting. Letting

ride it out.

After a long mont, I managed to look up at him.

"What... the hell... was that?" I gasped.

"The technique is in your head now." His voice was calm, steady. "It’ll take ti to master, but it’s yours."

A notification flickered at the edge of my vision.

[Starlight Steps - Grandmaster Rank]

[Mastery: Tier 1 - 0%]

Zero percent. After all that pain—zero percent.

I wanted to curse. Wanted to scream. Wanted to ask what the hell was the point of putting

through that if I was still at zero.

Theron must have seen sothing in my expression. "Don’t look at it like that. Everyone starts sowhere. The question is whether you’ll keep going when it gets hard."

I looked up at him. t his eyes even though my head was pounding and my vision kept trying to blur.

"...I’ll keep going."

He studied

for a mont, then reached out and ruffled my hair. "I know, kid. That’s why I’m giving you this."

He turned and walked toward the door, pausing with his hand on the fra. "Train. Rest when you need to. But don’t stop."

Then he was gone.

I sat there for a long ti after he left, just breathing, just letting my head slowly stop trying to kill .

When I could finally stand, I pulled up the technique description.

_

[STARLIGHT STEPS]

Rank: Grandmaster

Mastery: Tier 1 — 0%

Description:A footwork technique passed down through the Valdris family for generations. Nad for the way the user seems to flicker and shift like starlight when mastered.

The technique focuses on short, precise movents rather than long strides. Each step is designed to cover the maximum distance with minimal motion, allowing the user to change directions instantly without losing montum.

At low mastery, the steps feel clunky and forced—like learning to walk again. The user has to think about every movent, every weight shift, every placent of the foot.

But as mastery increases, the steps beco second nature. The body learns to move without the brain getting in the way. Positions that once required thought beco automatic.

At peak mastery, the user can flow through combat like light itself—unpredictable, untouchable, always exactly where they need to be.

_

I read it twice, the key points sticking in my mind. Short, precise movents. Minimal motion. The ability to change directions instantly.

...Okay. Let’s see if I can actually do this.

I stepped to the center of the hall and positioned myself for the forward step, running through everything Theron had shown . Weight on my back foot, then shift forward smoothly.

The key was to slide instead of stepping, to keep my weight centered and my feet low to the ground. No lifting—just gliding, like I was moving on ice.

My first attempt was absolutely pathetic. I lifted my foot like I was walking down a normal street, planted it way too far forward, and imdiately felt my balance crumble. I stumbled and had to catch myself before I fell completely.

Damn it!

I reset and tried again, this ti keeping my foot low and letting it slide forward the way Theron had demonstrated. It was better—marginally—but I still ended up leaning too far forward with my weight committed, which ant I couldn’t move again quickly if I needed to.

On my third attempt, I focused on keeping my core tight and my weight balanced evenly. I let my foot slide forward, trying to ignore how foreign and unnatural the movent felt. When I finished, I hadn’t stumbled.

More importantly, I ended up in a position where I could move again instantly, my weight still under , ready for whatever ca next.

I repeated that motion over and over, chasing the feeling of a clean, balanced step. Each ti I ssed up, I cursed under my breath and started over. Each ti I got it right, I pushed a little harder, trying to make the movent smoother and more natural.

I kept at it until my legs ached and the motion started to feel slightly less alien.

After what felt like an eternity, I moved on to the sideways step. The sa principle applied—slide instead of step, keep my weight centered, stay low. My first few attempts were complete garbage. My feet crossed awkwardly, my balance wavered back and forth, and I nearly ate the floor twice.

"Shit," I muttered, resetting my stance and trying again.

The second attempt was better. Not good by any stretch, but better. I could feel myself starting to understand what my feet were supposed to do, even if my body hadn’t caught up yet.

I kept at it, repetition after repetition, until the sideways step started to feel slightly less impossible. The key, I realized, was keeping my feet close to the ground. Every ti I lifted them, I lost precious ti and stability. Every ti I slid, I stayed ready to move again instantly.

I worked through each direction thodically—forward, sideways, diagonal, back. Each movent was tiny, barely six inches in any direction, but each one demanded perfect form. There was no room for sloppiness, no room for shortcuts. Just endless, grinding repetition until my muscles started to learn what my brain was telling them.

When I finally felt ready, I started combining the steps together.

Forward to sideways. Forward to diagonal. Sideways to back.

The transitions were rough. I kept pausing between each movent, losing whatever flow I’d managed to build, resetting my weight like I was starting from scratch every ti. Every hesitation bred frustration, and every frustration made

ss up worse.

I tried a simple combination—forward, diagonal, back.

The forward step worked. The diagonal step threw my weight off completely, and I stumbled, barely catching myself against the wall before I hit the floor.

I reset and tried again. Sa result. My foot slid wrong, my balance wavered, and I ended up in the exact sa position—clutching the wall like an idiot.

"Fuck. This is annoying."

I stood there for a mont, breathing hard, letting the frustration wash over . Then I reset my stance, forced myself to focus, and tried again.

Forward step—good. Diagonal step—better this ti, my weight stayed under . Back step—I made it. It was ugly and slow and probably looked ridiculous, but I made it through the whole combination without falling.

I checked my progress and saw a small notification flicker at the edge of my vision.

[Starlight Steps Mastery: 0% → 3%]

Three percent. After all that work, all that pain, all those failed attempts—three percent.

Part of

wanted to be frustrated. Wanted to be angry that progress was this slow, this painful, this ridiculous. But sowhere underneath all that, there was sothing else. Sothing small and quiet.

Three percent was more than zero. It was proof that I was moving forward, even if the progress was barely asurable.

I leaned against the wall, gasping for air, sweat soaking through my clothes in a way that had nothing to do with the cold. My legs were shaking uncontrollably. My feet felt raw and battered. Every muscle in my lower body scread for rcy.

But I was smiling.

Three percent. After hours of falling and failing and getting back up—three percent.

Not much. Not nearly enough.

But more than zero.

I slid down the wall and ended up on the cold floor, flat on my back, staring at the ceiling. And for reasons I couldn’t quite explain, I started laughing. It hurt to laugh—everything hurt—but I couldn’t stop.

Three percent.

I lay there on that cold floor, laughing like an idiot, because—

I was actually moving forward.