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Moreover, it truly lacks a focal point and structure.

So....

Mr. Moonlight, what exactly are you trying to do???

.....

At the sa ti,

others were also driven crazy.

Including the comntators Zhu Ye and Fengye at the comntary table.

"I give up, Zhu Ye, do you have any clues?"

"I don’t....."

Forcing the two comntators to say such a thing, not even knowing how to improvise, is quite a spectacle for the audience.

Now, it no longer matters how this "Moonlight" itself is.

Understanding the piece has beco a consensus among everyone.

Fengye originally wanted to try to understand by analyzing the climax section.

However, this piece... has no climax at all.

Yes, absolutely no climax!

This "Moonlight," from beginning to end, creates "tension" with the chords surging in the bass.

It gives you a constant feeling.

The next second, it seems like it’s about to climax! Emotion is about to be released!

But yet,

it just keeps suppressing, suppressing, plucking at your heartstrings.

Every ti it feels like it’s going up, it ends up not going up at all.

Just like Cunzhi, damn it!

....

Listening to this point.

If it were another composer.

Everyone would surely make an unwavering judgnt:

This "Moonlight" is just a diocre piece with errors.

However, this person is Lin Tian.

Currently, to many people, whether admitted or not, an "undeniable master of classical music."

Thus, everyone instinctively prefers to think it’s their own lack of understanding, rather than a problem with Lin Tian.

Therefore,

it is with this mindset.

The comntary table, the judging panel, inside and outside the venue, audiences across the internet....

Now, they are all tornted by this piece that should logically be classical music, yet leaves them utterly baffled.

Everyone,

has their eyes fixed intently on Lin Tian and Gan Yanyu onstage.

What on earth are you doing??

.....

Moonlight suddenly beca viscous.

Lin Tian’s heart was calm.

No matter how turbulent the storms outside were, they seed to have nothing to do with him.

Now, all his attention was solely on this performance itself.

As Lin Tian’s fingers began to accelerate on the keys.

And Gan Yanyu, at this mont, was astonishingly agitating the strings.

The young man imdiately intensified the augnted sixth chord with his left hand, using a bronze bell-like resonance to fill in the intentional pause in her breathing.

Here it cos.

"....."

This section is the most challenging part of "Moonlight."

It was also the segnt where Gan Yanyu frequently stumbled before.

But now,

Lin Tian unintentionally lifted his eyes and looked at Gan Yanyu diagonally ahead.

Sweat had already dropped from the girl’s neck, leaving deeper marks on the white satin dress.

She stood there under the lights, showcasing an unprecedented flamboyance and confidence.

Interpreting such a gentle, enchanting moonlit scene.

Gan Yanyu truly made it.

So straightforward, so decisive.

As if she had just calmly walked through a flatland, without stirring any waves.

She is indeed so strong.

Strong to a point that even the current Lin Tian finds terrifying.

After that timid, fearful girl with multiple ailnts completely conquered the stage.

Lin Tian didn’t know what kind of difficulty could possibly defeat the current Gan Yanyu.

Just a slight hint,

Gan Yanyu completed her transformation.

Lin Tian felt very gratified.

From the first concert until now in the semifinals of the Dragon Violin Cup.

Gan Yanyu has been progressing before his eyes.

From finding it extrely tough just to stand on stage and finish the sheet music, feeling dizzy and faint when seeing fan support.

To now, where she can so flamboyantly showcase her piano skills on stage, becoming a true cellist.

How should I put it,

this is the joy of nurturing, isn’t it!

However,

while he feels satisfied inwardly, Lin Tian also harbors so suspicion.

He looks at Gan Yanyu’s back shadow.

He knows deeply,

Gan Yanyu stands here with such confidence today.

Not because Lin Tian’s "verbal escape" a few days ago had such an effect.

Ultimately, it’s because Gan Yanyu truly achieved her heart’s desires.

Her flashy performance now actually reflects the importance she places on the dream of the "world champion."

Gan Yanyu has entirely incorporated "champion" into the goals she absolutely must achieve.

She has to win!

To keep winning!

In other words, Gan Yanyu’s strength is exchanged for with a yearning for victory and dreams.

This is exceedingly vital for her.

And such a Gan Yanyu, Lin Tian finds very cool.

But, what if one day, they can’t win anymore?

For instance, now.

Incorporating a definite championship into dreams is actually a pact with the Demon.

It can bring strength, but at the mont of failure, it will ruthlessly strip it all away.

Before, losing a competition might still have left so room for dream pursuit.

But now, they have no retreat available.

For Gan Yanyu, this is everything to her.

Lin Tian knows that all he can do is stake everything on one last effort.

No matter what,

now, let these people see.

The terrifying extent of a Gan Yanyu who wants to win—

Just how frightening it is!!

"..."

"♫~"

As the cello’s D flat note resounded.

The prism of the do refracted the spotlight, akin to moonlight, into twelve silver streams.

At that mont, Gan Yanyu’s exquisite face, with her eyes tightly closed, in deep emotion, drew the cello in her hand to its peak.

The audience, all at once, widened their pupils abruptly.

You are reading Producer System: My Girlfriend is a Cellist Chapter 539 - 362 Debussy - "Moonlight" (Part 2)2 on novel69. Use the chapter navigation above or below to continue reading the latest translated chapters.
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