Chapter 301: Chapter 216: Love Einstein Middei Tesla Da Vinci Langeiro Chen
Translator: 549690339
By now, Harrison Clark has beco adept at using history to solve problems, developing his own comprehensive thodology.
He went straight to early 21st-century England, Oxfordshire.
First, he focused on one of his two most important assets: Summit Ventures.
After bringing back over twenty classic songs, the company’s music library was enriched with over forty songs, and many things changed again.
Divine Sword lodies was given to Carrie Thomas to develop the album “Octaves.”
“Across the Starry Sky” was given to Avril Green.
He also arranged six songs on Lucy Haywood’s second album and eight songs on the third album of a certain European artist.
After he “left,” these backup plans he personally arranged were successively completed, transforming into the achievents and positions of his artists and Avril Green, as well as bringing fa to them, and even more so, bringing in a large amount of cash inco for Summit Ventures.
In the previous tiline, Carrie Thomas didn’t regain her creative power until she completed “Morning Wind” at the age of 77, and then she wrote the Divine Sword lodies.
But in this tiline, Carrie Thomas ca out with the album “Octaves” at the end of September 2020, becoming instantly famous, sweeping major awards worldwide, and being unparalleled for a ti.
“Gazing into the Distance,” “You, , and the Universe,” “Shoulder to Shoulder,” “Soaring Ambitions,” “Love Until Death Do Us Part,” “Pure Heart,” “No Questions of Origins and Destinations,” and “Sharp edges fully exposed” – the realm of these eight songs is so high that it confuses the music creators of this era, leaving them disoriented and questioning their lives.
You can’t bla these people for not being worldly enough; it’s really just because Harrison’s tricks are too excessive.
In the original tiline, Divine Sword lodies were created after 2076, and after more than fifty years of developnt, as well as Harrison’s promotion of the Renaissance, the creativity of the artists in the early 21st century was like a volcano constantly erupting, unstoppable.
Harrison sparked the Renaissance mainly in the field of music, where there were also the European artist’s post-era folk songs and various experintal songs by Lucy Haywood.
For decades, the outpouring of inspiration in the field of music was particularly strong, with an endless variety of new singing techniques, musical styles, and concepts in the field of instruntal music.
Even during the war-ridden era a thousand years later, people still marveled at how the Renaissance of the 21st century was the greatest artistic revival in human history, unmatched in the past, and never to be repeated.
In the midst of the artistic renaissance, Carrie Thomas never stopped learning and absorbing while continuously creating “Morning Wind.”
She invested most of her talent in learning, greedily absorbing the insights of others while also transcending herself.
In that tiline, by 2076, she had already beco a master in both technique and mindset, and then she produced the Divine Sword lodies, which firmly secured her place in the top ten for a millennium.
Her understanding of music began in 2005, and her mastery was achieved in 2076. Her ostensible fifty years of progress was actually equivalent to at least two hundred years in Harrison’s first tiline.
Her style was not abrupt, but rather more perfectly aligned with the aesthetics of the early 2020s than the works of others.
As a result, Harrison released Divine Sword lodies fifty-six years earlier than planned and also created a new song “Sharp edges fully exposed” for Carrie Thomas.
These eight works took root in the present and looked forward to the next hundred years.
However, last ti she wrote the Divine Sword lodies, her age was already too advanced, her voice had passed its pri, and her fingers were no longer as agile in playing. She eventually had to give the songs to younger singers, resulting in the high artistic achievent of Divine Sword lodies, but the impact of the songs themselves failed to match her own level.
But this ti, she was in the pri of her life in terms of voice and singing skills, and her artistic comprehension had caught up with her 77-year-old self after writing “Sharp edges fully exposed.” She personally perford the songs, perfectly showcasing the appropriate realm of the songs.
How could this not blow everyone away?
Of course, there was one thing that saddened Harrison Clark deeply.
He seed to have underestimated the difficulty of “Morning Wind,” and in this tiline, even with his forced intervention to disrupt the chronological relationship, it still took Carrie Thomas nearly forty years to complete “Morning Wind” in the early months of 2060.
At this point, Carrie Thomas was already sixty-one years old.
She not only missed her youth but also missed her pri, her midlife, and her understanding of fate, not attaining true spiritual liberation until she entered her sixties.
The historical records simply ntion “forty years” in three words, but behind them lies a bitterness and resilience that Harrison Clark is reluctant to taste in detail.
Fortunately, Harrison Clark gave her a perfect wedding again, and the two joined hands to spend the last forty-three years of their lives together.
Carrie Thomas said at the wedding, “I have never regretted and do not bla you. Even though you won’t admit it, my heart has been connected with yours since I was twenty-one. I didn’t miss anything, and I have no regrets in my life. Whatever you want to do, and whoever you want to beco, I will support you unreservedly.”
The historical records state that on that day, Master Harrison Clark cried so much that he could barely stand.
No one understood why he was so grief-stricken on such a happy day.
He just kept saying “I’m sorry” to Carrie Thomas, over and over again.
He seed to be possessed, bewitched.
And the world didn’t know what was wrong with him.
It was all caused by his own needless stubbornness..
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