How a Realist Hero Rebuilt The Kingdom Book 15: Epilogue1

Book 15: Epilogue1

Midword

Thank you for buying volu 15 of Realist Hero. This is Dojyomaru, who has been either inside his house working or biking alone along the embanknt during the state of ergency. I was already an at-ho worker, but this has turned into even more of a shut-in.

Now then, this volu has mainly focused on the Spirit Kingdom of Garlan and dicine... I have a vague sense of what your readers must have thought when you first read the synopsis.

Is this guy crazy? This the, really? Is it really okay to be doing that? I can practically hear you all saying it.

Err, at the point when Im writing this, I still cant say whether it was okay or not. However, this scenario is actually one Id already been thinking of back in 2019, before the virus really took off. Id have dicine as my the, drop the information that magicium is made of nanomachines, and more or less make it certain that there was a temporal connection between the ti Souma lived in before and the one he lives in now. All that to show this isnt a transferred-to-another-world story, but a ti-travel story.

At the ti, I had no idea that all of our lives would be turned upside down like this...

The web serialization of the content in volu 15 started in February of 2020, and in March I wondered if it was okay to keep serializing this story for a while, but by April I realized, Oh, this problem isnt going away any ti soon. If I tried to wait until it was over, there was no telling when I could start back up again, so I decided to resu serialization. There were a lot of twists and turns, I have to admit.

Obviously, the disease that appeared in this story has no connection to any real-world disease.

My reference wasnt a virus, but diseases like schistosomiasis that are caused by parasites. Souma ntioned in the story that he went to the Dr. Sugiura morial Museum in Yamanashi Prefecture as part of his social studies class, and I did too. It was a very quick trip where we took the highway bus to Showa Town, looked at the exhibits, bought lunch at a convenience store, and headed straight ho, but it was still a valuable experience.

We heard all sorts of stories from the guide there, and were shown oncolania hupensis nosophora, the interdiate host for schistosoma japonicum, the Japanese blood fluke. I was surprised it was so small, and indistinguishable from other freshwater snails. They showed us the dical equipnt that was used back then, including a big syringe that made shudder, and then, on the second floor, we watched an Arican-Japanese co-production titled In the Na of Mankind.

Id like to use this space to thank the guide who showed us around the Dr. Sugiura morial Museum.

There was also a newspaper article on display on the second floor of the morial museum which explained how people faced this disease, and I found it very moving. I think that peoples stance towards disease is the sa whether its a virus, parasitic infection, or a fictional disease.

There are patients who want to get better, doctors who want to treat them, and people who dont want to see more victims. Thats why they can make logical decisions, and even if theyre standing in different positions they can fight together. Im sure there are people who think it would never go so well, but as far as fighting diseases goes, I want there to be so hope, even if only in the world of fiction.

This is getting kind of depressing... Lets have a change of mood.

Now then, volu 15 is scheduled for release in June, so the Realist Hero ani will be airing soon. As Im writing this, they are still very busy with production, so I dont know how it will turn out.

Ive seen up through episode 2 at this point, and Liscias gestures are just so adorable. Thanks to the acting of Ms. Inori Minase and the comical way she moves, shes turned into an even more appealing girl than I imagined. Im going to have to write short stories for the anis Blu-ray release now, and I think Liscia may get a little influenced by that acting.

Now then, I give my thanks to the artist Fuyuyuki, to Mr. Satoshi Ueda of the manga adaptation, to my editor, to the designers, to the proofreaders, to the people involved with the ani version, and to all of you who now hold this book in your hands.

This has been Dojyomaru.