The hand that touched Gao Ming was devoid of the warmth one would expect from a living being, feeling more like an inanimate object. It was coarse, marked with the hard, rough patches of calluses and scabs, a testant to hard labor or perhaps a life of hardship. The fingers were grimy, coated in dirt that seed ingrained into the skin, and the fingernails were in poor condition – bitten down to jagged, uneven stubs.
In the oppressive darkness and utter silence of his surroundings, this hand beca Gao Ming’s sole source of information about his environnt. Deprived of his sight and hearing, he likened himself to a crazed person trapped in a dark, forgotten cellar, using touch as the only ans to connect with the outside world.
Suddenly, the hand clasped his own with a startling force. Gao Ming felt a primal fear, as if ensnared by a predatory animal, being inexorably pulled deeper into the foreboding depths of the pitch-black cellar.
In a desperate effort to protect himself, particularly his head, Gao Ming lost all sense of which way was up or down, left or right. After what seed like an eternity, he tumbled down into the cold, damp mud and beca completely lost in the darkness. He tried searching for markings like walls or stones to help his senses, but as he wandered, nothing of the sort ca into contact with him.
Confused and disoriented, Gao Ming found himself back where he had started. He squatted down, overwheld by a deep sense of panic. He was a man accustod to relying on sight and hearing to navigate the world, but now those senses were useless to him.
He pondered the owner of the hand, realizing that this person hadn’t killed him outright. There must be a reason for this; perhaps he was needed for sothing.
In a bid to understand his surroundings, Gao Ming scooped up so mud, molding it in his hands and bringing it close to his nose. The fresh, moist scent of earth, reminiscent of the sll following rain, filled his nostrils. As he was engrossed in this sll, his fingers brushed against sothing unexpected – a blade of grass.
This discovery was perplexing. As he understood it, the cellar should be filled with nothing but damp, rotting mud – not the environnt where you’d find the scent of fresh earth or living plants.
Though he couldn’t see or hear, his sense of touch and sll were intact and now his primary tools for experiencing the world. Kneeling down, he felt around, exploring the grass and leaves, the scents almost becoming tangible through his touch.
Reflecting on his situation, Gao Ming recalled the case of the ‘dog cellar’, where a deaf-mute man had been brutally killed by villagers. He now found himself in a similar predicant.
As he explored, the aroma of osmanthus flowers reached him. This scent was known for its ability to alleviate depression and had so efficacy in treating certain mood disorders.
Compelled by the fragrance, Gao Ming moved towards it. But before he could reach its source, he was suddenly and violently attacked. He felt the impact of belts, wooden chairs, and fists, an array of objects beating him rcilessly in the darkness. The pain was real and imdiate, even if he couldn’t see his assailants.
When he moved away from the osmanthus scent, the beating ceased. This led Gao Ming to wonder if there was a connection between the scent and the aggression. To test his theory, he cautiously approached the osmanthus again, only to be beaten once more, forcing him to retreat quickly.
Gao Ming, a trained psychological counselor, knew that scents could evoke powerful mories. He hypothesized that the scent of osmanthus was sohow triggering mories of violence in this space, possibly belonging to the tornted mind of the blind madman he was now likened to.
Much like how the distinctive sll of disinfectant in hospitals often triggers people’s childhood mories of receiving injections or experiencing illness, Gao Ming found himself in a similar situation. The power of scent in evoking mories is unique; unlike sight and sound, slls can provoke more intense and emotional recollections. This is because scents bypass the thalamus, which is the brain’s primary hub for processing sensory information, and directly influence the hippocampus and amygdala, areas deeply involved in mory and emotion.
“Do I have to rely on scents to navigate my way out of here?” He had never encountered such a strange and convoluted challenge before. After a mont of deep thought, he steeled his resolve, thinking, “I must survive this ordeal and later suggest this unusual ga to Situ An as a strange form of entertainnt.”
As he focused on distinguishing between different scents, the fresh earthy sll gradually gave way to the harsher odors of car exhaust and dust. It felt as though he was in the middle of a bustling crowd, constantly being jostled and bumped into, yet he couldn’t see a thing. All he had were the myriad scents flooding his nostrils, making it hard to identify each one distinctly.
After so ti, the unmistakable odor of mothballs erged. Suddenly, his hand was grabbed by soone else. This person was significantly taller and stronger than Gao Ming, and the strong scent of mothballs seed to emanate from their clothing.
Hesitantly following this person for a few steps, Gao Ming soon detected a troubling new scent mingling with the mothballs – the faint, tallic sll of blood. Feeling a surge of panic, he quickly bit the hand holding him and broke free, then ran towards the area where the fragrance of osmanthus was strongest.
Gao Ming had a plan: he hoped those who had previously beaten him for approaching the osmanthus scent would now intercept this “mothball person.” Ideally, they might even turn on each other!
Despite being unable to see or hear, Gao Ming sensed the pungent mothball odor following him closely. He kept running, feeling as if the whole world was bearing down on him, a relentless pursuer in this terrifying ga of scents.
Soon, he was engulfed by the sweet fragrance of osmanthus. Bracing himself and covering his head, he charged into the scent, only to be t with lashes from belts. To his surprise, the scent of mothballs caught up with him, but there was no conflict between the two parties.
“Are these two scents working together?” he wondered in desperation.
Realizing he was about to be caught, Gao Ming prepared to confront his attackers. He lunged at the figure ahead, fighting back fiercely, using his sense of touch to identify his assailants.
The osmanthus scent was associated with a stout middle-aged man and a woman wearing a skirt, both attacking him ruthlessly with a belt and a chair. anwhile, the sll of mothballs was coming from a man dressed in a jacket. It appeared as though these three individuals had conspired to hand Gao Ming over to the man in the jacket.
Gao Ming pondered a chilling thought, “Scents represent mories, and the corresponding mory scene reappears when you sll them. Could it be that the blind madman was sold by his parents as a child? And the jacket man was the buyer?”
After enduring a third round of beatings, Gao Ming attempted to escape. However, without the ability to see or hear, his efforts to flee were fraught with difficulty and uncertainty.
The man in the jacket forcefully grabbed Gao Ming by the collar and dragged him through the darkness, the strong, penetrating scent of mothballs filling the air around them. As they moved, the unsettling sll of blood beca more pronounced, mingled with the clinical odor of dicine. Amidst this sensory overload, a sudden and foul odor made its presence known, and Gao Ming felt another hand grasp his arm.
A scuffle ensued between the owner of this foul sll and the jacket man, during which Gao Ming found himself unexpectedly free. Most people in such a situation would seize the chance to escape, but Gao Ming had a different realization.
He recalled that when he first entered the black cellar, he had detected this sa foul odor. Strangely, he hadn’t found it repugnant; in fact, there was sothing almost comforting about it. As a psychological counselor, Gao Ming was familiar with the notion that scents could hold different anings for different people. What might be foul to one could be fragrant to another, often influenced by their emotional associations with that scent.
With this understanding, Gao Ming made a bold move. He clenched a fistful of soil and, with a surge of newfound determination fueled by the multiple beatings he had endured, he attacked the “mothball person.”
Assisted by the owner of the foul sll, they successfully repelled the “mothball person.” Gao Ming’s hand was grasped yet again, but this ti the touch was different. The hand was warm, not large, its palm rough with calluses, indicative of soone accustod to manual labor, perhaps sothing delicate like weaving.
Gradually, the oppressive scents of dust, sweat, car exhaust, and even the more pleasant aromas of bread and coffee began to fade away. They were replaced by a gentle breeze carrying the faint sll of wheat and the holy scent of cooking from nearby houses.
“It feels like I’ve returned from the city to my childhood ho in the countryside,” Gao Ming thought to himself, a wave of nostalgia washing over him.
The comforting, familiar scents of burning firewood, roasted tofu, sweet potatoes, and stir-fried cured at filled the air. He was soon handed a steaming bowl of rice and a pair of chopsticks. As he ate, the flavors seed to embody the essence of childhood joy, infused with a deep longing and the taste of ho. It was an indescribably delicious al, the best he had had in a long ti.
After finishing the al, Gao Ming remained seated, and the hand then offered him a small knife. Initially startled, he was soon presented with a prepared bamboo strip, and the hand guided him in the craft of weaving a bamboo basket.
“This hand not only fed but also wants to teach skills for survival,” Gao Ming realized with a sense of gratitude.
His body naturally gravitated towards the warmth of this hand. In his current state, lost in the darkness and silence, Gao Ming had forgotten about the ga he was supposed to be playing. All he knew was that he wanted to stay close to this hand, the only source of comfort and security in his otherwise bleak and disorienting world.
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