"Sir. The filming of The Hangover has started today."
"Thank you, Nancy."
Tom Rothman nodded after Nancy Utley told him about the news.
Because Napoleon Dynamite was distributed by Fox Searchlight Pictures, Tom Rothman wanted to know the related news about Kazir's next movie.
Warner Bros and 20th Century Fox received the script of The Hangover at the sa ti. Unfortunately, Warner Bros acquired the movie because of obvious circumstances.
"Nancy, do you know the reason why we didn't fight for The Hangover?"
"Isn't it because of the vulgar the of the movie? The Hangover has a strong chance to be rated R-Rated and it might not be profitable."
"That's right. Unlike Napoleon Dynamite which has a simple and lighthearted the, The Hangover has so many profanities. A group of friends went to Las Vegas. After taking drugs, they forgot what they did and one of them was missing."
It was the short summary of The Hangover.
"To be honest, I have this feeling that Kazir can make it successful. Unfortunately, our offer didn't attract his attention."
Kazir was asking for more and they could not negotiate. It was a natural reaction to stop the negotiation.
So Tom Rothman hoped that Kazir's movie would be a disappointnt. He hoped that The Hangover would have a bad reception.
Because if the movie beca successful...
"How's the script for Napoleon Dynamite II?"
The success of Napoleon Dynamite was still ongoing. So far, the worldwide box office already surpassed $300 million.
The movie would be dropped from the North Arican cinemas but its global screening would last for another three to four months.
Tom Rothman sighed after rembering that Kazir would receive a 5% North Arican box office share.
'I should have settled with revenue share instead. At least it's much smaller than 7 million dollars.'
The North Arican box office of Napoleon Dynamite was $140 million. Naturally, 5% of that amount would go to Kazir.
In fact, Salvatore kept urging Fox Searchlight Pictures to settle the account.
"The creation of the script is halfway done."
After Kazir sold the copyrights of Napoleon Dynamite to Fox Searchlight Pictures, the company sent two writers to oversee the creation of the script.
Kazir already gave the general plot of the movie and he let the writers turn it into a complete script.
Of course, Kazir attended the script writing to make sure that the script would turn out great. Napoleon Dynamite had a very important part in his heart.
"That's good to hear... Since Ed Helms is still filming the movie, don't contact him about the sequel of Napoleon Dynamite for now. No, I advise you to wait for The Hangover's release week before contacting them."
Ed Helms' salary in Napoleon Dynamite was very small.
But his salary in The Hangover was a whopping $1.7 million.
For a small-ti actor to a millionaire actor. That was the effect of starring in a successful movie.
'As a businessman, I don't want to give Ed Helms more than a million. If The Hangover flops, then Ed Helms' salary would naturally decrease, and so is Kazir's.'
That was one of the reasons why Tom Rothman hoped that The Hangover would be a disaster.
'I can invite Kazir to direct Napoleon Dynamite II once that happened.'
Everything depends on the result of The Hangover.
If The Hangover turned well, then Fox Searchlight Pictures had to adjust its budget for Napoleon Dynamite II.
But if The Hangover turned bad, then Fox Searchlight Pictures would squeeze Kazir and Ed for all their worth.
"Hm, keep your eyes on The Hangover. Make sure to contact Kazir regarding Napoleon Dynamite II... And settle the account. We don't want Kazir to be angry at us."
Unlike the actors, Kazir's position as a director was far heavy. As long as he had strong profitability, 20th Century Fox would cooperate with him.
"Yes sir."
Tom Rothman was left alone in his office. He was actually having migraine these days because of a certain project.
"Damn that Jas Caron, I can't believe that he is asking for sothing outrageous! He wants to make a real ship!"
The investors in Jas Caron's project were 20th Century Fox and Paramount. The two film companies were currently gritting their teeth because of Jas Caron's wasteful idea.
However, Tom Rothman couldn't deny that Jas Caron was a talented director.
Three of his movies were distributed by 20th Century Fox and they were all successful.
Aliens.
The Abyss.
True Lies.
Unfortunately, the copyrights of The Terminator were held by Orion Pictures. This movie franchise was very profitable.
"Kazir Grey... Please make your movie bad so that we can cooperate again. I believe your talent is in making wholeso codies, not vulgar ones."
Tom Rothman sighed. His job as a CEO of a film company was exhausting. But the rewards were satisfying as well.
His boss, Rupert Murdoch, contacted him and gave him rewards after the success of Napoleon Dynamite.
......
...
...
"What do you an that I can't get money from Kazir? I'm his wife!"
Cassandra glared at her lawyer after learning that it was impossible to get money from her now rich ex-husband.
"Cassandra, you are not his wife. You're his ex-wife. Please rember that."
Her lawyer sighed.
"You had an agreent that you will stop festering him once you acquired the house. He gave you half of his savings too. The court already deed that the case is over. Unless you want to open the case again, but it cost money."
"... Tch."
Cassandra clicked her tongue in annoyance.
'Who would have thought that my depressed husband will actually beco a successful director? Millions! He sold the copyright of his movie for millions but I can't get half of it? That's fucking unfair!'
Cassandra regretted the fact that he divorced Kazir. She should have waited for another year so that she could steal more from him.
"Damn it!"
She slamd her fists against the table out of frustration.
Life was fucking unfair!
'As a beautiful woman, my job should be marrying rich people and stealing half of their property! Instead of focusing on my career and being a good person, I rather step on people!'
Reviews
All reviews (0)