The teacher said: "This image of the goddess is the most striking part of the entire painting and also the most likely to spark debate. Her closed-eye expression is handled well. It’s like creating white space in writing, leaving enough room for people’s imagination, so as not to limit the artistic conception of the painting to a certain aspect."
Alexander Foster also noticed the figure, a mory of the painting he had seen the night before at the Bushes’ house flashed through his mind.
In Mane York’s work, the goddess’s eyes are open; there is more coverage down to her chest, her hands holding two infants, with a slight smile, and the overall color sche is brighter and livelier than Chloe Collins’s current piece.
She did not paint completely according to the original.
The female teacher has a lot of experience; if not for personal issues, she could have been a judge of this year’s competition, so she certainly qualifies to evaluate this work.
Seeing her admiration, Alexander Foster felt relieved.
Late that day, when Chloe Collins woke up and had a chat with the female teacher, she nad the painting, "Mortal Life," and sent it to the contest judges.
With two days until the exhibition, she planned to discuss robot developnt with Dean Collins and headed to the suburbs that afternoon.
Alexander Foster accompanied her.
This ti, as opposed to their last visit, the main gate did not hinder them. As soon as they appeared, the iron gate automatically opened to welco them in.
Just like yesterday, Dean Collins was unwilling to see strangers and only allowed Chloe Collins to enter the inner room.
However, this ti, he sent Bail out to accompany Alexander Foster for a tour around the entire house and arranged the welco.
Although it was fall, the house was vibrant with life, adorned with verdant vegetation everywhere, as though it were spring.
It took over an hour to explore the entire house. Afterwards, Bail brought Alexander Foster back to the living room and served him a selection of snacks and fruits.
Alexander Foster gazed into the robot’s eyes, his lips curving into a faint smile. His look was not like one observing a robot, but rather as if he were looking at Dean Collins.
He knew he was being spied on by the child called Dean Collins.
There were surveillance caras throughout the house, leaving no blind spots.
The young man monitored everything here, as if he had countless eyes.
His curiosity about the youth grew, not only because he made Chloe Collins tender, but also because of his talent.
He was a rare and sought-after talent.
While he was pondering, the phone rang.
"Alex, are you in Anstolas now?"
It was a call from Master Foster.
"Yes."
"Why didn’t you tell that you were going over there? Nevermind. Since you’re there, you must visit Manie’s grandfather on my behalf and bring a generous gift."
-
The Duke’s Mansion.
Jerry River was heading towards the Elegant Pavilion. On his way, he saw a group of people carrying robots gathered in Mane York’s courtyard. He stopped a servant to ask what was happening.
"What’s going on? Who let all these journalists in? It’s so noisy."
"Oh, it’s like this, Master Bush, these are journalists who were allowed in by the sir to interview Young Miss. They’re all from top-notch dia agencies in our country, there won’t be any issues."
Jerry River closed his fan in bewildernt: "Interview?"
"Yes, our Young Miss is a more famous figure than a big star. There’s even a support club for her. Many fans want to see her painting at this exhibition, so this interview session was arranged."
Jerry River nodded. He was aware of this. Mane York was very famous in Anstolas, on par with first-rate celebrities. Every ti she attended an event, the dia competed to report on it since she was the heiress of the Duke’s Mansion and everyone was curious about her life.
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