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Afterword

Long ti no see, it’s Ishibumi Ichiei.

The final battle of the fourth arc has begun! Volu 20 went on sale prior to DX. The previous volu’s afterword ntioned that this would be Vali’s volu, but Issei beca the main character, so I also turned Vali into more of a lead character. For myself, when I was planning volu 20, I thought ’Perhaps Issei would be better?’ so I completely revised it. So that’s how it beca Issei’s volu. Volu 21 will be Vali’s volu. I think the final battle of the fourth arc should be led by the Two Heavenly Dragons.

Another thing I have to say is, I was a bit confused as to whether this volu should have so ero scenes, but the atmosphere of the previous volu was quite tense, so none of the characters would feel like that before Ravel appeared, and in relation to that incident, Issei was unexpectedly serious; so I rejected it, this simply has to be serious, so I’m sorry. Please rely on the erotic parts of DX to make up for this before the end of the fourth arc. However, since this is the climax of the fourth arc, it will have to be serious anyway. Well, let explain the various elents from the beginning now.

After Issei’s power up

Issei was always troubled about whether to tell his parents about his true identity. I actually planned to hide it until the very end. But, this morable twentieth volu is Issei’s own volu, so for him, I think the most important thing is his relationship with his parents. For this reason, there was a very dramatic developnt this ti. There should be no event better than the power up right? But, sothing more painful than death is headed towards him this ti. It is the price of Dragon Deification. Next volu, please read it with this in mind.

The combination technique with Rias, Asia’s Balance Breaker, and Rias’ armour with the combination technique

The armour is similar to that of Issei’s where the entire body is equipped with a tight fitting armour — it would be correct to think of it as the sa suit of armour. The feeling is the sa as a certain iron O [1]. Speaking of which, this is sothing which I thought of several years ago, and I was finally able to write about it now. The baka-uple ca out together with their armour on. In this case, Rias is able to fight on the front lines to so extent.

Asia’s Balance Breaker; for a certain amount of ti, and in certain areas, it expands an extraordinary healing field, and is an ability which can completely nullify any injuries. Rather than dispelling Rizevim’s attacks, it could be said that they couldn’t penetrate Asia’s healing field at all. That’s why it looks as though his attacks were cancelled by the barrier. Fafnir’s dragon aura was also added on. It is supposed to have high defensive strength, so it beca a barrier which could block attacks. The aura feels the sa as wearing armour. I previous said to the editor that I wanted to write this for the two main heroines, Rias and Asia, and it’s finally appeared now. The na will appear in the next volu. Even if it has just debuted, I will let her have an active performance in the final battle of the fourth arc.

Rizevim’s final monts

I’ve been writing the fourth arc for a few years now. This was Rizevim’s last mont. Perhaps so people were surprised that he died in this volu, but I originally planned to have him die at the beginning of the battle during the finale of the fourth arc, as so would expect. I was continually thinking about the people who would defeat him. At the earliest stage, I wanted Vali to defeat him alone. But, he is his real grandfather after all, so even if he hated him, letting Vali do it directly was really...it would actually feel difficult. Perhaps the readers also had similar ideas and believed that Rizevim would beg for rcy at the end. And that Issei would also beat him up rcilessly. This volu, he used to power of Dragon Deification to corner him, and even shattered Rizevim’s pride. Finally, there’s Fafnir who chose to deal the final blow. Fafnir has had a symbolic role in the fourth arc, he is an incarnation of peace as Asia’s guardian. Rizevim hard Asia in Heaven, which angered Fafnir. Upholding the virtues of a dragon, I depicted him as a very persistent creature that protected his treasures. That’s it! That’s what I thought. That’s why for Rizevim’s death, I chose Fafnir to be the one who defeated him at the very end. Rizevim used the resurrected Evil Dragons, but at the end he was ridiculed by Apophis and Aži Dahāka, and then betrayed. In the end, he was insulted even further and then died. But, how should I say this, all of the people who hurt Asia die miserably.

Trihexa, Apophis and Aži Dahāka

As the final enemies of the fourth arc, the leaders of the army of Evil Dragons, Apophis and Aži Dahāka will be going to war. Unlike Rizevim, they’re pure, bold and fearless dragons, facing off against [DxD] as their dignified and imposing enemy. I haven’t allowed them to appear until now, as I planned to make them the final enemies of the arc, which would result in a direct clash to determine the winner. Trihexa also finally revived. It is a beast outside all specifications. It’s a beast even more powerful than Jabberwocky that appeared at the end of the third arc...so, what will happen to the world in this critical situation?

The Darkness of the Rating Gas

This volu talked a lot about the internal things of the Rating Ga. However, this is the case too often in real life as well. But our culture and values are different to Devils, so from our point of view, the impact should be quite different. This will be described in the next volu. In fact, it was also for future expansion that there was a lot of foreshadowing. ...Please look forward to it.

First person, third person

The prologue and final chapter of this volu were both written in the third person. I’m afraid that this is the ninth ti that DxD has been written like this. Originally, I also wrote my books in the third person, while DxD was mainly written in the first person as a truak. This ti, I wanted to try mixing in the third person for use in DxD. The feeling would probably be quite different, but the seriousness and urgency of dialogue in third person narration is shown much more easily.

Next are the acknowledgents. Miyama-zero-sama, editor H-sama, as well as other people, in these past few years, I’m sorry for dragging things out, I’ve given you a lot of inconveniences. Well, the flas of the final battle of the fourth arc have been ignited...it will be written in the sa way as volus 11 and 12 of the third arc, where the climax is very fun to write. The ending of the fourth arc will be written with this montum. Volus 21 is next...having said that though, to be released next is the second volu of DX. It will be bundled with a limited edition ani BD. The short story from volu 13 [The Unresurrected Phoenix]. For the readers who like Ravel, please I hope you can recover a bit here! So stay tuned for the final battle of the fourth arc!

Finally, there are a few more lines, so please allow to say sothing selfishly. While I was preparing volu 20, my most beloved mother passed away. In these few lines, please allow to honour my mother and father [2] who have passed away. Father, mother, I still have a lot of work that I need to deliver to my fans, so I can’t go over to your side. Although I haven’t completed my duty of filial piety to you in this world, I hope I can finish it on the other side. I’m sorry. But, I am very happy to be the child of you two. Thank you so much.

[1] I believe that this is a reference to Iron Man (某アイOンマンですね).

[2] Ishibumi addresses his parents as tou-chan and kaa-chan.

(End of High School DxD Volu 20) (22/2)

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