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Now, the "Keep On Movin’" album sales were outpacing Jay-Z’s album everywhere, both in the United States and overseas.

"See You Again" also topped the Billboard singles chart and the rap chart for two consecutive weeks, with sales continuing to rise, suppressing all other singles from ascending.

In this battle of music, he was the absolute winner.

A winner offering reconciliation to the loser is a magnanimous gesture.

Once he, the winner, expressed his willingness to reconcile, the pressure shifted to the East Coast rappers. If they refused to reconcile, both the mainstream dia and fans would judge them.

Therefore, Link’s initiative to signal reconciliation was more beneficial than harmful.

Link thought their opinions made a lot of sense.

The day after that video exploded, he wrote on Twitter, "Yes, that ’stronger’ is indeed great, and Kanye and Eminem are also rappers I like."

After the tweet was posted, the comnt section beca very lively, with fans of both Link, Kanye, and Eminem coming to leave ssages.

Over ninety percent of the comnts were positive, with only a few people wishing they would continue their rivalry so fans could hear those good songs sooner. Without their competing for the charts, the rap chart would beco boring.

There were also a few trolls claiming he had lost to the East Coast artists and was begging for peace, then fans blasted them with sales data from "Keep On Movin’" and "See You Again."

More than an hour after his tweet, Kanye also posted a tweet, "No doubt, ’See You Again’ is a great song, and Link is a very promising new artist."

The first half of the tweet was fineSee You Again’ was too popular, and it was okay for Kanye to praise it opportunistically.

But his later remarks angered many people.

Link had already achieved Double Platinum with two albums in the United States, and over 10 million global sales for those albums. This is promising? This is a new artist?

Link’s fans thought Kanye was posturing. Explore more at

In their previous chart battles, Kanye and the East Coast rap crew had been thoroughly defeated.

Here he was, a loser in the chart battle, facing Link’s goodwill, yet he adopted a condescending attitude to comnt on Link, which was rather displeasing.

Despite so controversy surrounding Kanye’s tweet, mainstream dia perceived it as a sign of reconciliation between the two sides, predicting a calr period ahead in the music scene.

"Keep On Movin’" in its seventh week of release.

Continued to top the Billboard album chart with sales of 368,000 copies, marking four consecutive weeks at number one and the only album in 2009 to achieve this feat.

The second place was taken by Grizzly Bear’s album "Veckatist," with figures steady at 146,000 in its second week.

Maxwell’s "BLACKsumrs’night" ca in third, with sales of 114,000 copies.

"The Blueprint 3" fell to nineteenth place, with sales of 34,000 copies.

According to dia analysis, "Keep On Movin’" continued to sell well partly because of the popularity "See You Again" brought to Link.

Another part was due to Link’s reconciliation with Kanye.

According to dia surveys, fans of Kanye, Jay-Z, and Lil Wayne, after the reconciliation, also publicly bought Link’s albums and singles, including many African Arican fans.

Kanye, initially in a good mood, beca depressed after seeing this news, feeling as though he had once again been overshadowed by Link, this ti seemingly by his own volition.

He suddenly felt that reconciling with Link in that manner was not a good idea.

"See You Again" still dominated the Billboard singles chart as number one, with online sales surpassing 10 million copies.

According to Link’s earlier decision, all revenue from the artist’s share would be donated: 50% to the MJ Charity Foundation and 50% to the International Red Cross Association.

dia estimates suggested that in 2009 alone, this donation would amount to no less than 2 million US Dollars, with subsequent earnings expected to be even greater, not less than 10 million US Dollars.

However, Link was also able to earn a substantial inco through songwriter, producer, and copyright royalties.

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