Bickering in front of the princes would be a sha. Refusing advice from an undisputed master would be foolish. I must show unity with my kin since we are surrounded by strangers. If I repeat all those argunts often enough, it will distract from Cadiz' endless litany of observations.
A master must praise publicly, but chide in private. The rule is even more important when dealing with competitive apex predators born with a tendency for remorseless violence. Truly, the old Progenitor lacks bedside manners, and yet his insight is particularly brilliant. Perhaps this is why I tolerate his incessant babbling.
"You have the thod of one who has grown and acquired tools too quickly. Your style is cobbled together, your thods sloppy. You are also missing a key elent of your fighting style. What is it?"
I hiss under my breath. Cadiz' face appears in front of , the man sotis capable of moving without noticing.
"Are you ignoring , disciple?"
"Has it occured to you that we are walking through Winter and that now is not the best ti to get into an in-depth discussion about my many apparent failings?"
We glare at each other. Or rather, I glare while he stares fixedly into a point that could be my eyes or nothing at all.
"Perhaps I have been a bit abrupt in my approach."
"You think?"
"I will make no apologies. You can punish as you see fit when you can defeat . I have never been good with manners and customs and all those masks and ribbons people wear on their heart to interact with each other. You can choose to care about image and reputation, or not, but you will listen. Your success is too important for to stop."
"Have you considered that you would save much ti and effort by acting according to the way the world is, and not the way you think the world should be? We care about those masks and ribbons you ntioned and we cannot stop caring, because they tie us back to our origins, yes? Our human, social nature?"
"You know they are a distraction."
"They are the reason why Nirari and his mother have not turned the world into a series of heavily fortified parochial city-states where no one leaves their house after dark, or do you doubt it?"
"I do not doubt it. You are also the first in history with a chance to match and stop the old monster. I know all of this. I am simply not capable of caring, not with all of eternity to practice. Kindly allow to teach you, disciple. Even if you should hate , let guide you. As I said, you can punish all you like after your victory is complete. You need to win first."
It sounds like a supplication.
I stop, the two princes imitating with eerie coordination. Their good manners allow us this mont.
Cadiz is the very image of the dood artist, complete with hooded eyes and sickly body. Resignation haunts his gaunt features. Perhaps he speaks the truth, and he genuinely cannot play the delicate dance we keep between our instincts and the veneer of civilization. Perhaps his singular drive protected him from the savagery that cos with a lack of attachnt.
"Are you telling that your lack of social graces is beyond your control."
"I could do better, but it would take much effort with little result. My ti is better spent in pursuits where I do excel."
"Then you will address as Ariane of the Nirari as a sign of respect, and I, in turn, will ignore the occasional offense. Are we in agreent?"
"Does this an you will listen and commit to your training?"
"So long as it does not violate previous agreents, yet," I agree. The terms are large enough that I can wriggle out of them should he go too far.
"I accept, Ariane of the Nirari. Now, which part of your arsenal are you currently missing?"
I breathe out.
"I fight with a handgun as well, usually. A pistol that can shoot several tis in a row."
"You fight vampires with a pistol?" he asks, aghast.
"Technically a revolver. And to great effect."
Cadiz does not comnt. We start moving again.
"Do you have it here?"
"Unfortunately, no. My armor used to interfere with its functionnt."
"A sha we cannot include it in your training. No matter, there are other aspects of your style to work on. And why are you flailing around so much?"
"I was inford I was aggressive and unpredictable."
"Yes, I can see how all this flailing around can be perceived that way. There is a fine line between being unpredictable and being suboptimal and I fear you cross it too often. Your Magna Arqa also needs so work. How long can you keep it active?"
"I do not know."
Cadiz freezes midstep. His expression is one of unmitigated horror.
"I beg your pardon?"
"Fights have always ended before I would lose focus."
"And you have not tested your limits? Ever?"
"You know they vary with mindset, not to ntion I have been growing in strength recently and can hold it longer."
"You will now use your Magna Arqa and keep it active until I tell you to stop, or you are on the verge of collapse."
I accept. My essence expands into the usual sphere, now larger than ever before. I imdiately grow a root under Cadiz in an attempt to trip him, but he effortlessly side-steps it.
"Oh, excellent initiative Ariane of the Nirari. Continue doing so. Perhaps then you will wield those branches of yours with more agility than a toddler holds their bottle. Hmmm."
What an infuriating man. I am starting to believe soone tossed him through that portal, after all.
While the old twit grumbles under his breath, I concentrate back on our current predicant. Revas outmaneuvered us in the first trial to succeed him, and I have no reason to believe the second will be different.
I hate so much to be so out of my depth that even the most basic task cannot be completed with any degree of surety. When we freed the fae from the fortress, it was Sinead's project, but the details of the execution were clarified under my responsibility. The lack of control frustrates . Perhaps so training would at least distract from the deadly ga. I walk up to Sinead, finding him despondent. It irks .
"I am starting to think you were happier on earth, Sinead."
The prince blinks, as if he had never considered the question.
"I was perhaps more light-hearted. You are right. My worries are getting to ."
"What concerns you? The second task?"
Sinead casts an annoyed glance at Khadras but the hare fae ignores us, his attention devoted to our surroundings. It is true that we are still in winter's domain, and yet the weather is more clent, sohow. The red fruits hanging from nearby frosted bushes are the crimson of ripeness, not blood. I can sll a hearth's smoke on the wind. Besides, my Magna Arqa shows no threats anywhere close.
"I am concerned about the second task, true," Sinead says in English. The ssage feels more diluted now that there is no objective aning behind the words.
"And sothing the queen said," he continues. "But there is more. I do not know if I should burden you with this.
"Better than burdening with this dark mood of yours. The least you could do to redeem yourself is to entertain , not present with this gloomy air of dood hero. Soon you shall write about ravens and casks and stare outward the battlent of so wind-swept fortress, cursing your cruel fate."
"I cannot wait for you to beco fluent in Likaean"
"So that I may nag you in your native language."
"Oh, poppet, I would rather be nagged by your beautiful voice for a hundred years than serenaded an hour by Voidmoore's greatest beauty."
"Finally, so Sinead. Wait…" I add with suspicion, "given the local proclivities, it would not happen to be so sort of tentacled, eight-breasted creature? Because Nol has the head of a fly above a human mouth and I have to admit, I have seen better."
"I have no idea! And yes, I am surprised you would tolerate him."
"Strange appearances are tolerable, it is sll I cannot abide. Have I ever ntioned werewolf gatherings? I hate werewolf gatherings. I can always assess how many of them have engaged in coitus right before they attend."
"It reminds of my younger years."
"As much as I want to learn more about your mysterious past, I believe details are not needed right now."
Stolen content warning: this tale belongs on Royal Road. Report any occurrences elsewhere.
"As you say."
Suddenly, Cadiz throws a snowball at , and I lean forward to dodge. I felt him in my sphere.
"Good, but for the sake of practice, please use roots instead."
"We are not training now in the middle of winter. Please wait until we are out of this death trap."
"We are the death trap, Ariane of the Nirari."
"There is a ti for everything. Now, we are concluding our agreent with the Seekers. Deploying my Magna Arqa is enough to start with."
Cadiz relents, but I dread the coming weeks before the dragon hunt.
We arrive at the portal while night falls. From this angle, it appears as a circle of frozen ice, like a wave caught as it hits a rock. A pair of winter fae let us through without interruption.
I cast one last glance at the frozen lake and the castle hidden beneath. Despite the sphere's apparent hostility, there is a certain beauty to it I regret leaving behind. There is so much to explore here, but I have so little ti for now. I also know that the spheres are so vast and nurous one could spend a millenium traveling through them without growing tired. Immortality can be so frustrating at tis. The passage of ti will not kill , but it can certainly stop from living. Ah, well… Oh.
Rather than the warehouse I expected on the other side, we are drawn into a cathedral-like structure of stone and crystal.
Imdiately, the bone-deep chill of winter fades, replaced by the crimson presence of the moon above. I lose control of my Magna Arqa, my essence contracting under the pressure of the one who is receiving us.
A guard of princesses and princes in silver garb wait in cold silence, occupying the space between massive diamond columns. Facing us is a throne of red glass in the semblance of a flock of ravens taking off, their red wings frozen forever mid-motion. The sovereign sits on it with impeccable poise. It feels wrong. She should be lounging.
Khadras does not stop so we follow him to the steps leading up. I spot my free gladiators and the flutterlings to the side, the latter held in a cage, which I find aggravating. The prince kneels with respect, hare ears still jutting up. The queen tilts her head ever so slightly.
TELL US.
"Our task is finished. The world is preserved. They acquitted themselves of the task to my satisfaction."
WE ARE PLEASED.
THE DEBT IS ALMOST REPAID.
Sinead glares, and I recoil in horror. What does she an, almost?
The sovereign stands slowly, and I resist the urge to fall. The pressure coming from her is oppressive. Her hand opens to reveal a strange device made of crystal, a handle ending with hooks around a small sphere.
Oh no.
ESSENCE WILL JOIN FORM.
"This is not what we agreed upon. I said we would retrieve mories."
YOU DID NOT DENY US WHEN WE OFFERED THIS CHANGE OF THE TERMS.
WHEN IS A LIE NOT A LIE?
"Her maker will not allow it," Sinead says.
The full attention of the sovereign falls on . I suddenly exist much more, and cannot move, and intensely wish I were sowhere else.
"Our watcher is a jealous one," Cadiz says.
BE QUIET.
The world itself falls silent. If I were to scream right now, the sound would decline its own existence.
WE HAVE NO TRANSACTION WITH YOU.
Cadiz handled, the sovereign inspects . The experience is both intimate and rather upsetting. Eventually, she relents.
YOU HAVE A JEALOUS PATRON.
YOUR PRINCE DOES NOT.
HE WILL BECO PART OF US.
A missing eye?
Dulled emotions?
"This is not what we agreed," I state. "We would help you return mories once, not be drafted into your court."
YOU WILL ANNUL THE AGREENT?
The pressure almost crushes but this ti, I do not relent. I know she is not using her true potential, but I do not care. She would betray the essence of the accord? With ? A Devourer? I think not. I push back and unexpectedly feel my essence expand by a tiny bit.
"PERHAPS I SHALL."
"Ariane? It's inevitable."
WE WILL HELP YOU FACE THE OTHER PRINCE.
"WE DO NOT NEED YOU."
The sovereign leans forward.
And turns her head to my right.
We hear it first, and I suppose the sovereign must have felt it. It starts with a horn, but soon pipes join it, then rry drums. They rise in the blood moon sphere with a great clamor both defiant and happy, a clear statent as shaless as it is friendly, for it cannot be coming with her approval.
The queen walks towards the disturbance and I follow, grabbing the cage of flutterlings on my way since they cannot move themselves and make their desire to know very loud. We approach a titanic opening into the crystal and face the dark sky of the sphere from the height of its capital palace. The balcony overlooks the tropolis thriving inside of the crater, and in the distance, a portal has opened.
It would be large enough to let an old ship of the line through, with its masts and sail. Beyond, a blue sky can be seen. A multitude of fae cross the passage, singing and dancing and throwing petals around. Their music carries impossibly far and for a fragnt of instant, it slls of the sea and of a adow in spring. The Likaeans themselves are a strange lot, many humanoids and other satyrs or beauties made of bark. Beasts of burden carry pavillions and, in the case of a whale with feet, an entire gazebo on their back. Madn juggle swords on fire, spells, or each other. A tall woman recites poetry while flowers bloom under her feet with each step she takes. Despite how far they are, I rely have to give one my attention to hear and see them as if they were right next to .
The lot is presided by a grotesquely obese man lying on a chair moved by hundreds of laughing revelers who switch and change roles so fast it is a miracle he manages to stay aloft. He holds in his hand a golden goblet dripping wine with every step, but he is not the star of the show. That honor goes to a woman launching herself from the ground with a single step.
She arches her back, extends her arms while her light brown hair forms a cape behind her, lithe limbs gliding through the air. She is genuinely floating. The entire orchestra of wandering fae, hundreds of them, take a deep breath.
They play.
The young one is born under the boughs of black trees. It is spring. Silvery flowers bloom under the moonlight. She is awkward and innocent, her feet unassured in a way only a master dancer can simulate. She stumbles against trunks and rocks with an agonizingly beautiful enthusiasm. Her steps grow more assured. She leaps, she struts, she leans by a lake and watches her reflection for the first ti. The young one wears a close-fitting dress of red leaves over her pale skin. Her arms are lean yet strong. She saunters.
Sumr cos.
The young one feasts from heavy fruits and stalks the underbrush, scaring grey birds away she titters, the sound like rain falling on chis. She is so silly, but she is getting better, and we can already see the predator in the grace of her gestures.
Sumr is at its zenith.
The young one is a deadly huntress, her feet leaving no trace. We follow her, prowling the woods for prey. She rushes. She pounces. None can stand against her. The first of her prey falls — so beast hiding in a grove — and she drinks its heartblood under the light of the moon. The fresh offering drips down her carmine lips, dying them with the color of victory.
I take a step back at this mont because I can feel a foreign influence in my mind, but also because I have never wanted to draw more than I do now. If I could immortalize those monts on paper, even just a sketch, oh, I could create masterpieces to damn a soul to despair. The Seekers share my rapture and I think I see why. Below the incredible dancer weaving her tale in the air, the other Likaeans keep playing with a degree of mastery that would ruin opera forever to if I cared more about perfection in art. There is sothing in the air, however, in the smirk of so of the players. It sends a shiver down my spine.
Above us, the woman keeps creating vistas and dances. Ghostly echoes make her moves more ethereal. Her dance is both animalistic and impossibly graceful. I cannot resist. I am drawn in.
Autumn cos.
The young one hunts beasts with unmatched mastery. The other creatures fear her, though they do not know what they fear, for she is a shadow, a sting that leaves no witnesses. Only one contests her realm, an old, scarred bear. He has survived a thousand challenges and readies himself to survive one more. Under the moonlit sky, they fight for dominion.
The old bear has seen much and lived through it. The huntress is strong but naive. He plays her, outmaneuvers her and conserves his strength. The huntress loses patience and snarls, but then a leaf withers and falls before her. Autumn has co and winter will follow. Patience is a necessary tool. The huntress takes her ti. She studies her opponent. The bear is old and experienced, but he is also scarred. She tests him. She circles him to find his limits. She prods him, expecting a trap and finding it. She learns when he is faking a weakness and when he is not. The two opponents battle much more evenly. The bear is forced to go on the offensive or risk being cornered. He is no longer used to it. He makes mistakes. She makes him pay. He bleeds and she smirks. He roars and she giggles. Finally the old bear knows his end is near. He charges her in a last-ditch attempt to fend off his demise. She ets him midway, easily jumping over his swipe. She passes over him, and at the apex of her ascent, a hunter's arrow pierces her heart.
She falls, broken.
Dead.
The dream breaks.
I recoil as if I had been smacked, but all my woes pale to the one of the sovereign. I assud she could not feel, I was wrong. Whoever aid that dance at her aid to bite deep and bit deeply indeed. It tasted like the remnants of a forgotten past, brought back again to be murdered a second ti.
The balcony in front of her explodes out. Chunks of stone and crystal fly through the air, crashing into the buildings far below. The dust left behind covers the deathly silent assembly.
The pressure from the sovereign makes collapse against the balustrade. Even my Magna Arqa cannot save from her, suppressed as it is by her presence. I dare not look at the sovereign. It is the dancer's face that attracts all attention. She lifts herself from her corpse-like position like a blooming flower and salutes us. She pauses in the middle, the cascade of her hair falling strand by strand over a naked shoulder. She tilts her head. She is absolutely breathtaking.
Her smile is rather vicious, however.
"Another, milady?" the woman asks. Her voice is to die for. Poor Jina would be undone.
Her words also carry a promise, one to bring a different sort of closure, but there is a condition.
There is always a condition.
The world holds its breath while the sovereign decides. Eventually, her terrifying gaze falls on us and I feel smothered, for she exerts little restraint.
LEAVE.
We are practically pushed out of the balcony and towards the exit. The flutterlings complain in their cage which does not surprise as they seem devoid of the instinct of self-preservation. As an afterthought, she sends Khadras after us. He appears consternated in an unusual display of emotion.
We all move down the main crystal stairs and straight corridor of the keep with haste until we find more stone than crystal. Still, we do not slow. Only after we have reached the ground level and left through a monuntal gate into a large, currently empty plaza do we finally stop. One of the chunks from the keep's upper strata fell here, squishing a building and its occupants. Likaeans busy themselves clearing the debris with spells and sorrow. So of the gladiators sit down where they are, complaining loudly. Makyas flies and lands on my shoulder, happy that my armor finally feels comfortable. In the ensuing chaos, I almost miss Khadras' whisper.
"That was quite cruel."
The short trip has not given him the ti to recover. I realize we should not stay there and order the gladiators to form rank. Unfortunately, they are hungry, thirsty, and tired. I will have to find a place for them to rest before we can return to Voidmoore, where I assu the next trial will be announced. I share my thoughts with Sinead, but he is distracted.
"You know we were freed, poppet."
"I assu this is the wandering court."
"It is," he says, looking into the distance without expression.
I follow his gaze. A woman approaches with two figures in tow, all wearing heavy robes. I recognize her as the dancer just from the supernatural way she sashays, every step an invitation to duet. She stops in front of my friend and places her hands on his broad shoulders. Her smile, which had been a sneer before, turns genuine, or at least as genuine as it can get for this strange race. Now that my attention is no longer taken by her story, the family resemblance is quite striking.
"My son," she sings, "you have returned to us."
Emotions spread from her like a perfu. She is delighted, relieved, but also concerned for the future.
I had never seen such happiness on Sinead's jaded traits. They stay unmoving while we sheepishly wait, or rather I do. Khadras and Cadiz do not appear to care much.
Eventually, the emotions grow more subdued. Curiosity and amusent replace them as the woman inspects , her deep amber eyes scintillating softly.
"And you must be Ariane. I have heard quite a bit about you. Sinead my dear, why don't you introduce us?"
"Ariane, it is my pleasure to introduce the High Dancer Amaryll of the Wandering Court, my mother. You know Sivaya, of course," he tells as the elfin lady removes her hood. The last person is a man of noble stature, tall, with gray hair though not through old age. His dark eyes watch us with impassibility. His resemblance to Sinead's mother would indicate that they are related.
"And this is Fanel," Sinead concludes. "My son. Hello, Fanel."
"Father."
Hmmmmmmmmmm.
HMMMMMMM.
He looks older than .
This is extrely, extrely awkward.
I curtsey to mask my embarrassnt. I am entirely uncomfortable with the current developnt.
"It is a pleasure to et you, Ariane of the Nirari," Fanel says with a warm voice. "Sivaya ntioned your exploits, but she failed to ntion your charms."
Oh no please do not court please please please soone let jump into a lake of piping hot lava argargargargargargarg. He looks like Sinead's older brother WHY IS EVERYTHING SO AWFUL?
"I see you take after your father," I inanely blabber.
I wish there was a sun here so I could roast myself to sweet oblivion.
The Likaeans chuckle. Amaryll exudes mirth — at my expense, no doubt.
"Right, this is wonderful but could we move to another setting? My warriors need to recover," I say to make it end. Amaryll approves and her mood shifts again to anticipation.
"Of course. You must all be exhausted! Co, join our encampnt while we prepare the revels."
I let Sinead have his mont with his mother, walking behind but at the head of the procession. The streets of the crater city hum with nervous energy, every person discussing the coming celebrations with excitation. Apparently, it has been eons since a troupe of the Wandering Court graced the Seekers with their presence. Makyas enlightens by whispering into my ear, the experience only mildly disturbing.
"There are six large troupes in the Wandering Court. Lady Amaryll's is one of the most famous. It is said she can dance a sovereign to tears!"
Well, she just did. I think. I could not watch.
The Wandering Court's carnival cos in sight soon enough, and their mbers drag my warriors to tents in order to rest, eat, and pursue so other activities if my ears are not mistaken. I am given an individual tent while Cadiz leaves with Khadras. To my surprise, I fall into slumber almost imdiately.
I wake up to music and laughter. Although my life is no longer governed by the sun, it appears my mind still requires so asure of rest. When I get out, the party is in full swing. Bands and perforrs delight the crowds with strange displays, forming clearings in a forest of pavilions. Strange gas take place within the covered recesses. Moans of pleasure mix with the music and words in many tongues to form a peculiar cacophony, one that I do not mind much.
"Training starts tonight! Or rather, later today," Cadiz says with cold certainty. "Activate your Magna Arqa."
I do so, and the purple eye opens on the sky above us. I feel soone's attention descending upon .
On a small throne in the distance, the obese man inspects with attention while tearing into so honey-glazed haunch. I ignore him, for now.
"What do we do?"
"I discussed our next move with the sunny prince while you were lying there, senseless and defenseless. We will regroup in Voidmoore to announce the result of the first trial and prepare for the next. Your rival Revas will be waiting for us, since he was the one who notified Lady Amaryll."
"He was?" I asked, surprised.
"Yes. Although he intends to kill you, he plans on looking rciful doing it. I would chafe, being underestimated so thoroughly."
"We are not being underestimated. He is rely playing several gas at once," I correct.
Cadiz shrugs, uncaring.
"After you are done with the diplomatic waste of ti, we will travel to the Court of Blue for training. They have facilities that can help us, and their infiltrators will be of much use to teach you a thing or two. I already have a plan."
I groan, but soon we are on our way through yet another portal and back to the gloomy streets of Voidmoore with a rested complent of warriors. The first thing I find is Pookie, the house/ship moored nearby. She squeals when she sees us. I stare under and realize she has apparently given birth to a toolshed.
The spheres are quite a wild place.
Reviews
All reviews (0)